Anna's Music World

October 2020: Music Recap

I know that in all of these posts I always say something along the lines of “this month has been a really good month for me in terms of music discovery” but this month has really been a good month for me in terms of music discovery. The songs I’ve been listening to throughout October are some of my favorite songs I’ve discovered in a while, and I’m really excited to share them with you. So here we go!

FAVORITE SONG THIS MONTH: A Kiss by THE DRIVER ERA (honorable mention to Don’t Say Nothing by Del Water Gap)

1. A Kiss – THE DRIVER ERA

2. Disco – Surf Curse

3. Don’t Say Nothing – Del Water Gap

4. 99 Red Balloons – Nena

I watched Scream Queens for the first time this month (cause you know… spooky season) and this song was in one of the episodes, so that’s how I discovered it, if anyone cares.

5. Silver Lining – The Neighbourhood

6. Disco Man – Remi Wolf

7. Speechless – Lady Gaga

Ariana Grande: My Everything (2014) Songs Ranked

Rating: 7.5/10

With her sophomore album, My Everything, Ariana Grande decided to take a full step into the pop star world, while still staying true to her R&B ballad roots. The resulting record is kind of a jumbled mess, but not inherently bad. This album is filled with many standout songs, but it’s biggest flaw is undoubtedly the lack of cohesiveness and terrible tracklisting order. Nonetheless, we’ll get into that later. I do think Ariana made an improvement upon Yours Truly when it came to the overall quality of songs, so I’ve given this album a rating that’s half a point higher.

Okay, without any further ado, let’s begin the ranking of Ariana Grande’s second studio album, My Everything. I’ll be ranking all the songs from my least favorite to favorite. I hope you enjoy what I have to say, now let’s get into the ranking!

15. Hands On Me (Track 11)

Why Ariana? Just why? This song is so shallow and juvenile. It’s like it’s trying to be so adult and mature, but really it just comes across as a flimsy attempt. And you know how I said that the tracklist order for this album is awful? YEAH. This song is RIGHT AFTER ‘Just a Little Bit of Your Heart’ and the transition is so jarring. The opening seconds of the track kinda make me want to die. Okay, I realize I’m being really harsh. I just don’t like this song if you can’t tell. The part where she’s saying “eyes on me, dance on me tonight” sounds kinda nice, but that’s the only good part of this song in my opinion. Ariana, I’m so sorry.

14. Bang Bang (Track 13)

I guess this song is fun enough and it’s very nostalgic and all, but it’s really not that great of a song in retrospect. It was fun back in 2014, but I’d say it’s time to leave this one behind. I honestly don’t know what we all saw in it.

13. Break Your Heart Right Back (Track 8)

I like the funky guitar track that runs through this song and I like how it samples ‘I’m Coming Out’ by Diana Ross. Oh and the story of the song is kinda cool too I guess. But other than that there’s nothing much in this track that I enjoy. I used to think that I liked it, but as I’ve relistened I’ve realized that it’s really just not my vibe.

12. Only 1 (Track 14)

Not a bad song really. It’s a glitzy, R&B track and it has a unique sound compared to the rest of the album, but it’s just not my thing. It’s kinda bland to me, and I wanted to like it because I know some people who absolutely adore it, but I always wanna skip it when it comes on. Sorry.

11. Why Try (Track 4)

I was reading Billboard’s review of this album (https://www.billboard.com/articles/columns/pop/6229287/ariana-grande-my-everything-album-review/) and they said that ‘Why Try’ is to Ariana Grande what ‘Halo’ is to Beyonce, and even though ‘Halo’ is a MUCH better song, I kind of agree with that statement.

Anyway, that’s pretty off-topic. This song has a nice opening instrumental, and Ariana gets to really show off her belting abilities in the chorus which is cool, but other than that it’s an extremely bland song. I’m pretty sure Ariana herself has called this song boring, and I have to say, I’m with her on that one.

10. Best Mistake (Track 6)

This is a very broody duet between Ariana and Big Sean, and though they have great musical chemistry, this song doesn’t quite hit the mark for me. I don’t dislike it though. It’s the kind of song where most times I’ll skip it, but every now and then I’ll be in the mood for it and I’ll leave it on and jam. Big Sean’s verse doesn’t really do anything for me but it’s not bad, and the song would probably feel flat without him on it, so I’m glad he’s featured. And the piano instrumental is nice and adds to the tension of the lyrics. So to summarize, this song is mostly a no but sometimes a yes.

9. Be My Baby (Track 7)

This song was a grower, but I actually like it pretty well now. Sure, the lyrics are nothing even remotely intriguing, but it has a nice rhythm in the chorus that makes you want to sway your hips around on a dance floor. Overall, nothing too special, but fairly enjoyable.

8. You Don’t Know Me (Track 15)

Finally, we can start getting into my favorites from the album! I wasn’t expecting to like this song much because I’m pretty sure I’ve seen a lot of people hate on it, but I can’t help it. It’s just an empowering, fun tune. I assume it’s about Ariana shedding her “perfect Nickelodeon star” image because the lyrical theme here is about choosing to be the real you instead of playing a part to fit people’s far-too-high expectations of you. The instrumental is really fun, if a little chaotic and jumbled, and Ariana gives a sincere vocal performance that shows that she means what she’s singing. Also, the bridge is wonderful and I love it. “And all I can be is in love with who I’m becoming.”

7. Break Free (Track 5)

Sure, this EDM-influenced track feels very dated, but I could never deny that it’s a solid bop. I don’t love the chorus, but everything else in the song is really good. Ariana’s vocals in the pre-chorus are honestly amazing, and the way she inflects the melody sounds so good, I’m kinda obsessed with it. The best part of this song is definitely the bridge though. The way it breaks down the instrumental and switches it up, and the way the melody shifts accordingly just sounds so good. Honestly, this song is a lot better than 2014-me gave it credit for.

6. My Everything (Track 12)

“I know you’re not far, but I still can’t handle all the distance. You’re traveling with my heart, I hope this is a temporary feeling. ‘Cause it’s too much to bear without you, and I know ‘sorry’ ain’t the cure. If I cross your mind, just know I’m yours, ’cause what we got is worth fighting for.” This is a lovely ballad and a lovely closer for the standard edition of the album. Lyrically, it’s very sad but very real. This song basically deals with the whole concept of “you don’t know what you’ve got till it’s gone” (which is also a lyric in the song, haha) and Ariana gives a very emotive and genuine vocal performance. Also, this song sounds very similar to the album’s intro, which is cool because it makes the album feel like it came full circle. Basically, it’s a sad but beautiful song, and though it’s not the best ballad on the album, it’s definitely far superior to so many other songs in the tracklist.

5. Intro (Track 1)

“I’ll give you all I have, and nothing less, I promise. Love me and don’t look back, I want you with me on this road to the sky. We’ll be shining every night, I promise you. Just me and you, oh I promise you.” This song is so short, but so so pretty. I literally love it so much. Ariana’s opening, harmonized, layered humming is gorgeous, and the main vocals have such a dreamy and sparkly tone to them. The lyrics are super cute as well, and the glockenspiel at the end is such a nice touch. I want to put this higher, but unfortunately I feel obligated not to because this song is barely over a minute. But whatever. Just know that it’s stunning.

4. Problem (Track 2)

I actually like ‘Intro’ a little more than this song, but because this is a full-length song I will put it one spot higher. Still, I don’t want to send the wrong message. I really, really like this song. It’s such a great pop tune, and the melody is so infectious. The horn-hook is really fun and adds a really wonderful flair to the track. Plus, the overall attitude of the song feels so empowering. And not only is this song super good on it’s own, it’s also super nostalgic! I mean, this song was everywhere back in 2014, and even though it’s been years, I still have every word memorized. Overall, this song is just a blast, and undoubtedly one of the catchiest, most enjoyable songs on the album.

3. Love Me Harder (Track 9)

Okay, if ‘Problem’ is one of Ariana’s best pop songs, this is DEFINITELY one of her best. It’s been said many times before, but this song is just an absolute banger, and pure pop-perfection. If I had made this review a few months ago I would probably have this in the top spot, but unfortunately I think I may have overplayed it a little so it’s lost some of it’s luster for me, but that does not change the fact that Ariana absolutely struck gold with this track. The way she opens the song is so captivating, and the chorus is impeccable. She bursts through with soaring vocals, backed up by thumping, glitzy, slick production, and complete with an irresistibly dazzling melody. This chorus is just unmatched, I tell you. The Weeknd also sounds great on this song (I adore his voice) and the two of them add such nice dimension to the tune. Basically, this song is an absolute goldmine of a pop song and it deserves endless respect.

2. Just a Little Bit of Your Heart (Track 10)

“I know I’m not your only, but at least I’m one. I heard a little love is better than none.” Okay, I just have to say it, the fact that Harry Styles wrote this song just makes me love it more, and it gives me an emotional connection to the song that I probably wouldn’t have had otherwise. Still, that’s not to say that Harry writing it is the only reason I love this song, ’cause it’s not. Ariana sounds stunning here, and she always does well with ballads, but this one feels special. The piano and the echoey vocals is a great combination, and the melody is gorgeous. But really, it’s the lyrics that hit the hardest. Not to get too personal, but I’ve been in situations where the feelings I felt were very similar to the feelings in this song. I mean, we all have, right? The lyrics are simple but heartwrenching, and very real and honest. This is a wonderful song, and probably Ariana’s top 2 ballads.

1. One Last Time (Track 3)

“And I know, and I know, and I know, she gives you everything, but boy, I couldn’t give it to you. And I know, and I know, and I know that you got everything, but I got nothing here without you.” From the opening notes alone, this song gets me emotional. I remember hearing this a lot on the radio a few years back, and I guess it just never really stuck with me because I was too young to understand the depth of the lyrics. ‘Cause I mean, musically it’s excellent and all, but the lyrics elevate it into incredible. I originally had ‘Just a Little Bit of Your Heart’ in the top spot and this in the second, but I’ve decided to switch it at the last second because this song hits me just a tad bit harder. Ariana’s vocals are so expressive, and she conveys the message of the song beautifully – you can tell it means a lot to her. The production is also wonderful, capturing the internal sadness and remorse but slight bit of hopefulness that the song is based around. The melody is also very grand and captivating, and Ariana carries it beautifully. This is really just a very emotionally-affecting song and definitely one of Ariana’s all-time best. “So one last time, I need to be the one who takes you home. One more time, I promise after that, I’ll let you go. Baby, I don’t care if you got her in your heart, all I really care is you wake up in my arms. One last time, I need to be the one who takes you home.”

Spring Awakening (2006) Songs Ranked

Rating: 9.5/10

A couple years back I went through what I guess you could call a “musical theatre phase” where I was obsessed with Broadway and listened to Broadway musical soundtracks religiously. It lasted for about a year or so, and then I just kind of stopped and started listening to non-theatre music. However, about a month ago, I for some reason decided to re-listen to the Spring Awakening soundtrack (because that was one of the shows that I used to listen to, though I didn’t listen to it as much as I listened to other musicals) and I was absolutely blown away by how good this musical is. And now I’m getting back into my theatre phase, so I thought it might be fun to do reviews for some of my favorite Broadway shows, starting with this one because it’s my all-time favorite.

Now that I’ve informed you all of my history with Broadway musicals, we can get into the ranking of all the songs on the 2006 Broadway musical, Spring Awakening, listing the songs from my least favorite to my favorite. Here we go!

19. Mama Who Bore Me (Track 1)

This musical has two types of songs; super punk-rockish bangers, and gentle, weepy, orchestra-oriented ballads. Unfortunately, this song falls into the latter category. Don’t get me wrong, there are other songs on this soundtrack that are also in that category that I really like, but this one just doesn’t do it for me. It’s slow and kind of dreary and, even though Lea Michele sounds beautiful, it’s very boring to me. I will say that it does a good job of setting up the themes of the show and the violins are pretty, but those are pretty much the only things I appreciate about it.

18. The Song of Purple Summer (Track 19)

Funny how, in my opinion, the opener and closer of this show are the weakest songs. This isn’t a bad song at all, I can see why they chose it to be the finale. There are some beautiful harmonies and the message ends the show on a hopeful, optimistic note. But it’s just a bit of a snooze, really. I wish they would’ve gone with something more dynamic and out-there for the finale.

17. The Word of Your Body (Reprise) (Track 16)

This song is cute and all, but it just falls a bit short, and I think it could’ve been better. If it had been less restrained and a bit more upbeat then I think I would like it more (I understand that what’s happening in the song is very tender and intimate, so it makes sense for the song to be tender and intimate, but on a purely musical level it doesn’t click with me as much). Still, the group harmonies at the end are absolutely stunning and elevate the last portion of the song high above the rest of it.

16. I Believe (Track 11)

The guitar and harmonies in this song make a really good combination and give the song a mildly hymn-like vibe, which I think might’ve been intentional. This song is pretty stagnant all throughout (if you’ve seen the show and know what’s happening during this number you’ll understand why. The song itself isn’t really the focus of the scene) except for at the end where vocals start to layer and interweave, and it adds a very grandiose flourish to the Act I closer. But other than that, the song’s pretty dull, and it’s only interesting if you know what’s happening during the song in the context of the show’s plot.

15. Whispering (Track 17)

“Had a sweetheart on his knees, so faithful and adoring. And he touched me, and I let him love me, so let that be my story.” For the show’s narrative, ‘Whispering’ is essential for both the plot and Wendla’s character. It shows Wendla taking ownership of her decisions and finally reaching the wisdom and maturity she had been longing for up until that point. Lea’s vocal performance is really good and adds to the contemplative nature of the song. The best part of this song for me, as I hinted at earlier, is Wendla finally reaching self-empowerment. However, musically, it’s just not really my thing.

14. Mama Who Bore Me (Reprise) (Track 2)

The reprise of this song is a lot more dynamic than the original, which is why I have it 5 spots higher. Instead of one voice with a violin instrumental, this version has a percussion instrumental with several harmonized, overlapping voices and it’s much more fun to listen to. Granted, it’s still not one of my favorites to listen to off the soundtrack, but it’s decent.

13. The Word of Your Body (Track 7)

I didn’t like this song at all when I first listened to it (it also falls into the weepy, strings-ballad category) but it’s grown on me. It’s a great duet for Jonathan and Lea and their voices blend so well with the tone and nature of the song. I guess I like this version of the song better than the reprise because it feels more sensual. This song is essential in the development of both the show’s themes and Melchior and Wendla’s relationship, and though it’s not an absolute favorite, it’s not bad at all.

12. The Dark I Know Well (Track 8)

This song’s subject matter is pretty dark, so I’m not gonna get into it, but I will say that it seems to deal with the topic in an empathetic way, which is good. Looking past the subject matter, the song sounds great. The girls singing sound incredible and the instrumental is very moody and angry, which fits the tone of the song.

11. The Mirror-Blue Night (Track 10)

This song is a little strange, but when you get into the head-space to listen to it, it’s pretty enjoyable. Jonathan gives a great vocal performance – he does a great job of portraying Melchior’s curiosity and frustration. Also, the string section that occurs about a minute in is stunning and adds a beautiful, mystical quality to the song. The group harmonies from the boys are lovely and are a very nice way to frame the song. Overall, a solid number and very important for Melchior’s character arc. “But there’s nowhere to hide from the ghost in my mind. It’s cold in these bones of a man and a child. And there’s no one who knows, and there’s nowhere to go. There’s no one to see who can see to my soul.”

10. Totally F**ked (Track 15)

Okay, this song is obviously very profane (as you can assume by the title, which I’ve censored) but it’s such a blast. What a great anthem for realizing that when there’s nothing you can do to help a situation, you might as well just give in and have fun with whatever comes along. The boys all give great vocals, and the group chorus is so fun to sing along to and jump around to it. I will say, this scene is even better in the actual performance of the show.

9. Those You’ve Known (Track 18)

‘Those You’ve Known’ makes me so sad every time I listen to it, but it’s so beautiful. John Gallagher Jr.’s voice as he opens up the song is absolutely chilling but in the best way. And the way Lea Michele comes in as the tempo picks up is also stunning. Then when the main chorus of the song comes in with both of them singing their different parts, overlapping over each other is fantastic (then Jonathan joins in and it gets EVEN BETTER). The song’s ending always makes me want to cry because it’s so touching. Thematically, this song is probably the most poignant in the entire show. Moritz’ part sums up his character arc, Wendla’s sums up hers, and Melchior’s sums up his. With the melody from ‘All That’s Known’ returning, it’s an incredibly smart way to show how Melchior has grown and changed over the course of the musical. Basically, this song is absolutely beautiful but very bittersweet and melancholy, so I don’t gravitate towards it as often. “Now they’ll walk on my arm through the distant night, and I won’t let them stray from my heart. Through the wind, through the dark, through the winter light – I will read all their dreams to the stars. I’ll walk now with them, I’ll call on their names. And I’ll see their thoughts are known, not gone, not gone.”

8. All That’s Known (Track 3)

“You watch me, just watch me. I’m calling, and one day all will know.” Okay, this and ‘Those You’ve Known’ are basically tied, but this one is easier to listen to so I have it one spot higher. This is a great introduction to Melchior’s character, setting him up as the radical, forward-thinking, curious protagonist that he is. The guitar and strings combination gives the instrumental a very introspective quality, and Jonathan’s vocal performance (as I’ve said many times) is truly great. His portrayal as Melchior is amazing and you can really tell in this song, because as he’s singing, he really sounds like a young man who’s frustrated with the purposeful ignorance of everyone around him. Like I said, the melody of this song is later reprised in ‘Those You’ve Known’ with this song serving as a representation of how Melchior starts out, and ‘Those You’ve Known’ serving as a representation of how he ends up. It’s brilliant and I love it. Both songs are just great. Oh, and the Latin chanting that frames the song is an awesome touch.

7. Don’t Do Sadness/Blue Wind (Track 12)

FINALLY – a Moritz song! I can finally talk about him and his storyline! Just so ya’ll know, Moritz is my favorite character in the show, and his songs are definitely the best in my opinion – probably because they best encapsulate the rock, punk-influenced side of this soundtrack. The sentiment he’s expressing in this song is really heartbreaking (basically him saying he’s fed up with all the mental exhaustion and pain he’s been bottling up for so long), but I mean… he sounds great. The angry cellos that open up the song really set the stage for the angst-fest that ensues, and John Gallagher Jr. does a great job of portraying a miserable Moritz releasing all his pent-up anger and frustration.

Ilse’s part in this song is very pretty and she sounds very wistful and nostalgic. The guitar that plays while she croons is very soft and it does a nice job of showing the contrast between the head-spaces of the two characters. However, when she and Moritz start to duet at the end, THAT’S WHEN IT GETS REAL. Oh man that parts slaps so hard.

6. The Guilty Ones (Track 13)

So when I said that there are some songs that fall into the “orchestra-ballad” category that I actually like a lot, this is one of them. This song is so pretty and it really took me by surprise. The strings that open up the song are stunning, and Wendla’s soft, withdrawn voice for her verse is lovely. Then the chorus hits, and between the piano line that’s brought in and the quiet, backing group vocals, it’s amazing. Then Melchior’s verse comes in and a drum beat is added, and he sounds awesome, AND IT’S ALL SO GOOD. THIS SONG IS SO PRETTY AND CALMING I LOVE IT.

5. My Junk (Track 5)

What a lovely, charming, sweet little number. This song just radiates youthfulness and girly-innocence and the exhilarating, giddy rush of falling for someone. The girls really get their chance to shine here, and the way they rotate lines during the verses then come together for the intoxicating chorus is just perfect. I loveeee singing this song. The melody is so pretty and the harmonies are gorgeous. It’s just a wonderful song.

4. Left Behind (Track 14)

“The talks you never had, the Saturdays you never spent. All the grown-up places you never went. And all of the crying you wouldn’t understand. You just let him cry, make a man out of him.” This song breaks my heart. It’s so beautiful but so full of remorse and disappointment. Just from the opening guitar strums I already want to cry, it’s so sad and emotional. Jonathan Groff sounds beautiful and haunting here, and you can feel the sadness and bitterness that Melchior is feeling. This song is even sadder for me because Moritz is my favorite character (I’m not gonna get into any details ’cause I don’t wanna spoil the story for anyone, but if you know the show then you’ll of course know what I’m talking about). The strings are gorgeous, and the melody is enchantingly somber and full of longing. The lyrics are gut-wrenching but very poignant. Oh, and I guess this song also has a special place in my heart because it was the first one I heard from Spring Awakening.

3. And Then There Were None (Track 9)

YAY ANOTHER MORITZ SONG!! This song is so good guys. SO GOOD. Moritz has my whole heart. The jaunty little guitar-plucking line that runs through the whole song is so fun, and Moritz’ annoyed attitude throughout his parts feels so real and authentic. I listen to this song a lot, especially when I’n frustrated, because it just captures the feeling of utter annoyance and resentment so well. And his voice in the “they freak or won’t” part is beautiful, and the backing vocals in that part are as well. The way that all the boys come together to sing at the end is so cool and they sound amazing together. In summation, this song fuels me, and it’s just fantastic in every way.

2. Touch Me (Track 6)

Wow. Just wow. I mean, what a stunning piece of art this song is. I probably sound like I’m being dramatic, but I’m dead serious. This is one of the most gorgeous songs I’ve heard in all of musical theatre (or just in general). I don’t even know where to begin. The opening guitar sets up the tone of the song so well, and the way Melchior begins the song is haunting. Moritz’ has such an earnestness and fascination in his voice during his part, and both he and Melchior carry the poignancy of the lyrics so well.

The strings in this song are truly beautiful and give the song such an emotive and powerful feeling. The background vocals are just as prominent in establishing the emotive nature of the song. Not to mention that when Otto and George burst through with such power and passion in the second chorus, it just leaves you in awe. I also have this weird affinity for the part where Melchior and Moritz are singing the “tell me please, all is forgiven” part about halfway through the song. It makes me feel so happy and warm.

And yes, okay I know the subject matter of this song is a little… inappropriate, but hey. It’s a real thing and it’s sung about with such care and delicacy. The lyrics here are just as stunning as the music, and I could write a whole dissertation on the lyrical content of this song, but seeing as my spiel for this song is already long enough, I’ll just leave this as it is. Honestly, do yourself a favor and listen to this one. You’ll drift away, I swear. “Where I go, when I go there, no more whispering anymore. Only hymns upon your lips, a mystic wisdom, rising with them to shore.”

1. The B**ch of Living (Track 4)

And here we have the BANGER TO END ALL BANGERS. THIS SONG SLAPS SOOOOOOO HARD IT’S NOT EVEN FUNNY. Honestly, I’ve probably listened to this song at least 500 times over the past month alone, and I’m not even remotely sick of it. That’s how good it is, okay? And sure, the subject matter here is pretty inappropriate, but like I said for ‘Touch Me’ it’s a real thing that teenagers go through, and it’s dealt with in a realistic way. Everything about this song gives me life. Moritz sounds so good here. But all the guys do. They really took the cake with this one. The chorus is so emphatic and full of passion and impatience and frustration. The backing vocals are so fun and pretty, and the part where they all start to sing in unison as Melchior finally joins the song — CHILLS. The melody is so freaking infectious and it just gets into your soul and leaves you no choice but to get up and jump around with joy and exuberance. Also the lyric, “It’s the bi**ch of living just getting out of bed.” hits way harder than it should’ve. If I haven’t compelled you to give this a listen then I don’t know what else I can do. It’s just perfection. I couldn’t be more obsessed with this sing.

September 2020: Music Recap

It’s been yet another month filled with some great song discoveries, so here I’ll be listing all the songs I’ve started listening to over the past month! Also, for those who may care, this past month I sort of got back into my musical theatre phase (I was really into it a couple years ago then randomly fell out of it) so you can expect some reviews of musical soundtracks in the future! Now without further ado, let’s get into the September Music Recap!

FAVORITE SONG DISCOVERY: Afterglow by THE DRIVER ERA

1. Mr. Sandman – The Chordettes

I’ve known this song for a while but I started listening to a lot this September.

2. Heartbreaker – New Parlor

3. Don’t Make It Harder On Me – Chloe x Halle

This song makes me feel like I’m in a movie.

4. Somebody to You – The Vamps

5. Wake Me Up When September Ends – Green Day

6. San Francisco – THE DRIVER ERA

7. Afterglow – THE DRIVER ERA

Okay, honestly, this whole album slaps way too hard. Who knew Ross Lynch could crank out such absolute bangers?

8. This Side of Paradise – Coyote Theory

9. I Saw the Light – Todd Rundgren

10. Can’t Hardly Wait – The Replacements

5 Seconds of Summer: Calm (2020) Songs Ranked

Rating: 8/10

After moving into a new sound with the 2018 record Youngblood, 5 Seconds of Summer continued to branch out in terms of their sonic direction with their fourth studio album, CALM. While Youngblood (which is my personal favorite record of theirs) was very cohesive and focused on a pop-rock sound, CALM is much more eclectic and experimental. That’s not to say it doesn’t flow well though, because it does. Even though the songs all have very different sounds, the album still manages to feel like a complete, compact body of work, which is something that I have to give 5SOS praise for.

In this post I’ll be ranking all the songs on 5 Seconds of Summer’s fourth studio album, CALM, from least favorite to favorite. This is their most recent album, so I’m kinda sad that I won’t be able to review any more of their records until they come out with another album, but alas. That’s just how it is unfortunately.

12. Not In the Same Way (Track 8)

I don’t what it is about this song that annoys me so much. Actually I do. It’s the fast, overly-rhythmic verses that just sound uninspired, and the head-voice-dependent, lazy melody. Okay, that was mean, I’m sorry. I just don’t vibe with this song. I mean, it has redeeming qualities though. The production is nice, albeit very poppy, and Luke’s vocals when he’s singing the “way” refrain are pretty nice. But other than that, I get almost no enjoyment out of this song. I’m so sorry 5SOS.

11. Old Me (Track 3)

I don’t dislike this song at all, and I wouldn’t even call it a skip. It’s a fun listen with a nice message, and it keeps you engaged and all (plus I absolutely adore the music video), but it’s a little too pop-oriented for me to really get into it. They have other pop songs on this album that are a little more innovative and unique, so I prefer those over this one.

10. Lover of Mine (Track 9)

This is a beautiful love song, and the lyrics are wonderful. I love the piano, I love Luke’s vocals, I love the drums that come in for the second verse, and I love the fact that Luke and Sierra wrote it together (what a power couple, am I right?) but there’s something about this song that just doesn’t quite do it for me. I wish I could like it more, but it just falls a bit short and feels kinda generic if I’m being completely honest.

9. Easier (Track 4)

Alright, here’s where we get into the songs that I actually really enjoy and wouldn’t skip. I know this is a divisive song in the fandom and I can see why, because there are no other songs in the 5SOS discography that sound like it. It’s very pop-oriented, but it manages to feel unique and I actually really enjoy it. To be fair though, I hated this song when I first heard it. Like, did not like it at all. And I guess somewhere along the line I just started to appreciate it more. The lyrics here are really good. And I love the mysterious and eerie opening, the broody, seductive atmosphere of the song, Luke’s vocals (as well as his ad-libs), the synthy-production, the dirty bass in the chorus, and the plucky, clean guitar work that comes in for the later choruses. That was a lot of stuff that I just listed, so needless to say, there’s a lot that I like about this song.

LET IT BE KNOWN THOUGH: THE ‘LIVE FROM THE VAULT’ VERSION OF THIS SONG IS BY FARRRRR SUPERIOR AND SHOULD’VE BEEN THE OFFICIAL VERSION. IF IT WAS THE OFFICIAL VERSION IT WOULD BE AT THE TOP OF THIS RANKING.

8. Teeth (Track 5)

“Call me in the morning to apologize, every little lie gives me butterflies. Something in the way you’re looking through my eyes, don’t know if I’m gonna make it out alive.” This song and ‘Easier’ are essentially tied in my mind but I’m giving this one the higher spot solely because of the pre-chorus. THAT PRE-CHORUS. IT KILLS ME EVERYTIME. IT’S SO GOOD GUYS. SO GOOD. This song has a very industrial sound to it which you wouldn’t think would work well for 5SOS, but I think they pull it off pretty well. This song has a very dangerous and anxious feeling to it but in the best way possible. It’s just a fun time to listen to it. OH AND THE BRIDGE IS AMAZING. “Blood on my shirt, rose in my hand. You’re looking at me like you don’t know who I am.”

7. Best Years (Track 7)

“Past love burned out like a cigarette, I promise, darling, you won’t regret the best years.” I really like this song. Like a lot. The chorus is really great. Luke sounds so passionate and beautiful. Also the story of this song is really sweet and romantic. This song is about wanting to repay someone’s dedication and loyalty by devoting the rest of your life to making them happy. It’s a great wedding song, and it manages to be romantic and emotional without being too tear-jerking (at least for me because I have no soul) which is very cool. And the part at the end where all the instrumentation starts to amp up like crazy and Luke gives his vocals so much intensity and it’s like an explosion of emotion and sound? Yeah, chills. Everytime.

(Also I just found out that The Edge from U2 plays the guitar in the bridge and I just… WHAT? TWO OF MY WORLDS COLLIDING? MIND BLOWN.)

6. Wildflower (Track 6)

I was tempted to have the placement of this song and ‘Best Years’ switched but I’m gonna keep it like this because this song just gives me such good vibes. Like, this song makes me feel like I’m a flower-child running through a meadow with waterfalls and flowers during the summertime in the 60s. I know that’s specific, but that’s what this song gives me. I mean, those opening harmonies. CHILLS. ABSOLUTE WONDER AND BEAUTY. Calum knocks it out of the park on this song, and he makes the chorus feel fun and jubilant instead of chaotic and overdone, which it very easily could’ve been. The lyrics and instrumentation in this song blend so well and make this song feel very vivid and saturated. The bridge is amazing, albeit simple, and overall this is just a free-spirited, whimsical summertime/springtime bop. Oh, and the music video is great ❤

5. Thin White Lies (Track 10)

This is just a really cool song. Between the melody, rhythm, and guitar/bass, it just has an effortlessly mature and seductive feeling to it. The chorus is so catchy and intriguing, and it just pulls you in so well and keeps your attention. The bridge of this song is really good as well – it’s short but sweet. Overall, this is just a really well-done, impressive song and I love listening to it.

4. Lonely Heart (Track 11)

This song didn’t use to stand out to me, but now that I’ve been enlightened, I can see what an absolute banger it is. Luke’s vocals are so soft and gentle and subdued in the verses, it makes the song feel so intimate. And then the chorus starts and suddenly you levitate. The beat drops and it’s like you’re being snatched out of a haze. It’s thumping and pulsing, and it’s infectious. The background vocals in the pre-chorus also add a lot of depth and dimension to the song, which I love. To summarize, this song is a bop (with a relatable title may I add!) and sonically, it’s very grabbing and irresistible. I can see why it wouldn’t be for everyone, but I happen to love it.

3. Red Desert (Track 1)

“Tell me, would you pack up all your bags, stay true to North? You’re the only one I’d do this for.” ‘Red Desert’ kicks off CALM with a huge bang. From the second the opening, multi-layered group harmonies begin you know you’re gonna be in for a wild ride with this song. The lyricism in this song is very descriptive and vivid, which I greatly appreciate. The guitar work brought in for the second chorus is great, but the real highlight of this song (aside from the brilliant lyrics and wonderful, glowing harmonies) is the DRUMMING. ASHTON KILLED IT. The drum beat basically pushes the whole chorus forward and gives it edge and dynamic, and then when the bridge comes around he just goes crazy and the drums take full stage, and it’s great. I love playing air-drums along with the bridge’s drum solo. This song is a fantastic track to open up the record with, and stays true to 5 Seconds of Summer’s legacy of having impeccable opening tracks for their albums. “Red, red desert, heal our blues. I dive deeper for you. What a blessing to feel your love, twilight moments with you.”

2. No Shame (Track 2)

It’s truly awesome that following the great ‘Red Desert’ is the even greater ‘No Shame’. This song is just so infectious and shamelessly catchy and unforgettable. From the exuberant chorus (with an amazingly catchy melody) to the distorted guitar that opens up the song, there are so many great aspects of this song. Plus, the lyrics are really interesting, with a very intriguing theme (basically this song is about someone who wants fame so badly that they’ll basically sacrifice all of their dignity as well as their reputation just to get it). It’s by far the catchiest song on this album and I think the boys did an amazing job with this one. “I only light up when cameras are flashing, never enough and no satisfaction. Got no shame, I love the way you’re screaming my name. Digging my grave to get a reaction, changing my face and calling it fashion. Got no shame, I love the way you’re screaming my name.”

1. High (Track 12)

“Today I called to tell you that I’m changing, but I don’t think you have enough respect to see me try. I’ve been waking up in different spaces, and I think that my heart is built to last more than a night. I need to stop letting me down…” Guys, this song means so much to me. I have so many things I want to say about this masterpiece but I don’t know where to begin, so I’m sorry if what I’m about to say comes across as some random, incoherent stream of consciousness.

Basically, when I was listening through this album for the first time, none of the songs were really standing out to me. I was pretty sad because I was worried that I wasn’t gonna love this album, and that none of the songs were gonna do much for me. Then this song came on, the very last on the album, and it was so lovely and gentle and honest, it stunned me. And of course the other songs on this album have grown on me since then and I definitely can say with confidence that I do like this record a lot, but this song is by miles and miles my favorite. “I know I’ll never meet your expectations, but the picture that you paint of me looks better in your mind. Now every step I take with hesitation, and I’ll always miss the memories of the mornings we were high.”

Every lyric hits you in the feelings. This song manages to address being hung up on an ex-partner, breaking bad habits, wanting to be nicer to yourself, and trying to move forward all within the span of 2 minutes and 58 seconds, and it does so with such poignancy and grace. The gentle guitar melody that runs throughout the whole song is very simple but beautiful. Luke’s vocals are stunning and genuine and emotional, and he really carries the weight of the song beautifully. The “ladada” part towards the end is gorgeous and I love it. The background “ahs” in the second verse are also gorgeous and I love them as well. Oh, and if you haven’t laid in bed at 3 A.M. listening to this song and thinking about your life, then I honestly feel kinda sorry for you. To sum up this whole rant, this song means a lot to me and it’s definitely one of my all-time favorite 5SOS songs (we’re talking top 3 here folks). It’s a beautiful, inspiring, slightly sad ending to the album, and it’s perfect. “I hope you think of me high, I hope you think of me highly when you’re with someone else.”

Autumn Playlist

Autumn is a wonderful season. It’s where the world starts to slow and cool down, and we all have a chance to cozy up and admire some of the beauty that surrounds us. That sounds really cheesy, I know, but Fall really is a magical time of the year. It’s warm and wistful and peaceful, and I wanted to create a compilation of songs that capture that feeling, so here’s my Autumn playlist!

(Also, it’s important to note that a lot of these choices are just based on how the song sounds and not based on lyrics.)

1. Thriller – Michael Jackson

THE quintessential Halloween song. “It’s close to midnight and something evil’s lurkin’ in the dark. Under the moonlight you see a sight that almost stops your heart. You try to scream but terror takes the sound before you make it. You start to freeze as horror looks you right between the eyes, you’re paralyzed.”

2. Wake Me Up When September Ends – Green Day

Not only does this song directly mention September, it also has a very Autumnal sound to it. “Summer has come and passed, the innocent can never last. Wake me up when September ends.”

3. Everything Has Changed – Taylor Swift

Okay, so the entire Red album sounds like Fall, but this song in particular really gives me Fall vibes. “All I know is pouring rain and everything has changed. All I know is a newfound grace, all my days I’ll know your face. All I know since yesterday is everything has changed.”

4. We’re Going to Be Friends – The White Stripes

“Fall is here, hear the yell. Back to school, ring the bell.”

5. November Rain – Guns N’ Roses

“So never mind the darkness, we still can find a way. ‘Cause nothin’ lasts forever, even cold November rain.”

6. Drunk On Halloween – Wallows

“Say a new day has dawned, but we no longer get to, ’cause I know the truth. The leaves are all gone, so who’s moving on? I know the worst is to come.”

7. My Little Corner of the World – Yo La Tengo

“Come along with me to my little corner of the world. Dream a little dream in my little corner of the world. You’ll soon forget that there’s any other place. Tonight, my love, we’ll share a sweet embrace.”

8. Sweet Disposition – The Temper Trap

“Sweet disposition, never too soon. Oh, reckless abandon, like no one’s watching you.”

9. Drops of Jupiter – Train

The Taylor Swift cover is also amazing and also has a very Fall-like sound. “But tell me, did the wind sweep you off your feet? Did you finally get the chance to dance along the light of day, and head back toward the Milky Way? And tell me, did you sail across the sun? Did you make it to the Milky Way to see the lights all fade, and that heaven is overrated?”

10. September – Earth, Wind & Fire

If ya’ll don’t jam to this on September 21st then I’m judging you. “Love was changing the minds of pretenders, while chasing the clouds away.”

11. Yellow – Coldplay

“Look at the stars, look how they shine for you, and everything you do. Yeah, they were all yellow. I came along, I wrote a song for you, and all the things you do. And it was called ‘Yellow’.”

12. For Emma – Bon Iver

“With all your lies, you’re still very lovable. I toured the land, so many foreign roads.”

13. All Too Well – Taylor Swift

Yep, another song from Red. This time it’s a breakup song for the Fall season. “We’re singing in the car getting lost upstate. Autumn leaves falling down like pieces into place, and I can picture it after all these days.”

14. Can’t Smile Without You – Barry Manilow

I don’t know man. It just sounds like a crisp, Fall evening. “I can’t smile without you. I can’t laugh and I can’t sing. I’m finding it hard to do anything.”

15. I Still Miss Someone – Johnny Cash

“At my door the leaves are falling. The cold, wild wind will come. Sweethearts walk by together, and I still miss someone.”

Ariana Grande: Yours Truly (2013) Songs Ranked

Rating: 7/10

Recently (like over the past month) I’ve gotten into Ariana Grande’s music, so I’m very excited to begin reviewing her albums. For this one, I’ve found that she, similarly to most artists, has a debut album that, while not bad, is somewhat bland, with a few really good songs but mostly just filler-esque tracks.

I’m gonna start the ranking now, so I hope you enjoy my worst-to-best ranking of Ariana Grande’s debut studio album, Yours Truly.

12. Better Left Unsaid (Track 12)

This song is blander than French Vanilla coffee creamer. (Absolutely no hate to Ariana, I just don’t enjoy this song. At all. Also no hate to anyone who likes French Vanilla coffee creamer.)

11. Piano (Track 6)

Yeah, I wish I could just snip this song off the album. It’s not catchy, it’s just annoying. I’m sorry to be so negative about these bottom-tier songs, but they just suck in comparison to the top songs on the album. That’s my thing with Yours Truly. It’s like the highs are really high, and the lows are really low. Believe me, I will have far more positive things to say as we move up this ranking.

10. Popular Song (Track 11)

This song is so bubblegum-pop and cheesy, I just can’t get into it. The reason I have it higher than the last two songs is because it samples ‘Popular’ from Wicked, which is a great song and a great musical. This is the last song I’m gonna talk about from this album that I actively dislike, so now we can move onto the songs that I don’t dislike, but don’t absolutely love.

9. Lovin’ It (Track 5)

I enjoy this song well enough. I don’t love it or anything, but I like it. The verses and pre-chorus aren’t anything special, but the chorus is pretty dang catchy. It’s just a fun song, and it has a 90s throwback sound, which is cool.

8. Baby I (Track 2)

The first time I heard this song I didn’t like it AT ALL, but it’s grown on me. I don’t know what changed, but all I know is that I used to cringe when I listened to this, and now I bop along to it with no shame. Maybe it’s the upbeat, 90s-inspired production, maybe it’s the irresistible quality in the chorus (especially the “But every time I try to say it, words they only complicate it” part), but this song is pretty cute.

7. Daydreamin’ (Track 7)

This is a really sweet and charming song, and it has a very old-school, 60s sound to it (except for the chorus) which I appreciate. I really like the verses, and I REALLY like the pre-chorus, it’s just the chorus that kind of messes the song up for me. It’s a lot more produced, and they add these vocal effects on her voice later on that I don’t like. Still, I think the lyrics in this song are really nice, and it’s not a bad song by any means, it just didn’t live up to its full potential (in my opinion, of course).

6. Almost Is Never Enough (Track 10)

Okay, so we’ve now reached my favorites from the album. All the songs I’m gonna talk about from here on out are ones that I love, and I think are the highlights of Yours Truly. ‘Almost Is Never Enough’ is a beautiful piano ballad, and a duet, so that’s pretty spicy. Ariana sounds beautiful here and I love the simple melody and piano line. Unfortunately, Nathan’s voice kind of bugs me at times during his parts, but it’s not too bad. I also think the lyrics are very beautiful, and I really resonate with the theme of this song.

5. Tattooed Heart (Track 4)

“I wanna say we’re going steady, like it’s 1954. No, it doesn’t have to be forever, just as long as I’m the name on your tattooed heart.” Ah, this little number. ‘Tattooed Heart’ sounds like something straight out of the 50s and I love it. It’s a sparkly, doo-wop belter and it’s so charming. Ariana really showcases her incredible singing abilities here, belting the chorus out like her life depends on it (it sounds amazing though). And not only does this song sound like something from the 50s, it also has a lyrical theme that fits into that time period, which is really cool. This song is just stunning, and Ariana did an amazing job with it. “Wrap me in your jacket, my baby, and lay me in your bed, and kiss me underneath the moonlight. Darling, let me trace the lines on your tattooed heart.”

4. You’ll Never Know (Track 9)

This song is so much fun, with an irresistibly catchy hook, upbeat production, a great vocal performance, and empowering lyrics. This song is basically about telling someone who missed their chance with you to get lost because you’ve moved on, and I really, really enjoy it. It’s sassy, it’s independent, it’s sensible. And it’s an absolute bop.

3. Right There (Track 3)

You know, I really don’t know why I like this song so much, but I actually really love it. Normally I’m not a fan of rap features on songs, but I think Big Sean adds a lot to this track. If he wasn’t on it, the song would be a lot blander and probably a lot lower on this ranking. Ariana is also great on this track. She carries the melody super well and gives it tons of charm and a super infectious quality. She makes the chorus so much fun and basically impossible to get out of your head (in the best way). Normally this wouldn’t be a song that I would gravitate towards, but what can I say? It’s just a fun time.

2. The Way (Track 8)

Like I said, I’m not much of a person for rap features, but similarly to Big Sean, I love Mac Miller’s part on this song. It’s so fun and his voice sounds great. Of course, it’s a little to sad to listen to this with everything that’s happened, but it is a truly wonderful song. Their voices go together so well and the hook is absolutely irresistible. This song makes me feel so happy and warm every time I listen to it. It just has a timeless quality to it. Like, I feel like I can listen to it for the rest of my life and never get sick of it. This was also a song that I heard a lot when I was younger but I didn’t know what it was called, so when I was listening to it for the first time in years a couple months back, I was pleasantly surprised to recognize the chorus almost instantly. In summation, this an adorable song, and it’s a little bittersweet, but it’s delightful.

1. Honeymoon Avenue (Track 1)

“Baby, you know how to drive in rain, and you decided not to make a change. Stuck in the same old lane, going the wrong way home. I feel like my heart is stuck in bumper-to-bumper traffic, I’m under pressure ’cause I can’t have you the way that I want. Let’s just get back to the way it was when we were on Honeymoon Avenue.” And THAT, my friends, is how you kick off an album. What an incredible opener. I first discovered this song a few months before I properly listened to Yours Truly in full (you can see this song listed in my monthly music post for April) and I was blown away by how good it was, so I kinda knew going into this album that it would be hard to beat. I mean, really, this is kind of a perfect song. The chorus has such a nice, driving (hehehe puns) beat and it’s great in a melodic and rhythmic sense. The metaphor of the song is pretty clever and allows for some really nice lyricism. Ariana’s vocals are amazing (not surprising but still worth saying) and she really carries a lot of genuine emotion in the way she sings the lyrics. AND THE OPENING STRINGS. STUNNING. ABSOLUTELY STUNNING. STRAIGHT OUT OF A FAIRYTALE. Basically, this is one of my absolute favorite Ariana Grande songs of all time and I can’t praise it enough.

Michael Jackson: Thriller (1982) Songs Ranked

Rating: 10/10

I don’t even know what I can say about this album that hasn’t already been said. It’s just an iconic piece of work. I don’t even think it needs an introduction but I’ll try my best. Michael Jackson’s Thriller ushered in the new sound of 80s R&B/pop with it’s glossy, slick, stellar production. I honestly think the production is my favorite thing about this album. Even if there were no vocals and the entire album was just instrumentals I would still be down to listen to it (however I’m glad that’s not the case because, even though it surely doesn’t need to be said, Michael is an outstanding vocalist who adds so much personality and flair to everything he sings).

This is one of my favorite albums of all time and I’m so excited to review it, so without further ado, let’s begin the ranking of all the songs on Michael Jackson’s sixth studio album, Thriller, starting at my least favorite and working up to my favorite!

9. The Lady In My Life (Track 9)

I feel like it’s a pretty popular opinion that this is the worst song on the album (even though “worst” on Thriller would be best on most albums). Don’t get me wrong, it’s a great love song and it’s very subdued and romantic, and Michael sounds very soulful and passionate. It just pales a little in comparison to the other tracks. When I listened to this album the whole way through for the first time (I grew up with this album but I only really knew the big singles) this was the only song that I didn’t really enjoy that much. But alas, I guess that makes this extremely difficult ranking a tiny bit easier.

8. Wanna Be Startin’ Somethin’ (Track 1)

This such a fun album opener and just a fun song in general. The drum beat and funky bassline is always a blast to listen to and the ridiculousness of the lyrics just adds to the joyful and uplifting feeling this song provides. It’s not one of my absolute favorites to listen to from the album, but I can appreciate it for it’s chaotic, carefree nature.

7. Baby Be Mine (Track 2)

Alright, we’ve now reached my favorites from the album. Every one of these songs is perfect to me in it’s own way. This song is a little more simplistic and less ambitious than other tracks on this album, which is why I have it relatively low on the ranking. But truly, I enjoy this song a lot and I’m really glad it’s on the album.

6. Human Nature (Track 7)

“Looking out across the nighttime, the city winks a sleepless eye. Hear her voice shake my window, sweet seducing sighs. Get me out into the nighttime, four walls won’t hold me tonight. If this town is just an apple, then let me take a bite.” This song is so smooth and breezy and glittery, I love ittttt. Michael’s vocal performance is stunning and he carries the melody in a very curious and enchanting way. It’s lovely. I love the melody of this song, and this is probably my favorite track on the album in terms of lyrics. This song and the one above it are almost tied, but I have ‘Human Nature’ one spot lower because it doesn’t really go anywhere, it kind of stays in the same spot for the whole song. But that’s honestly just a nitpick.

5. P.Y.T. (Pretty Young Thing) (Track 8)

‘P.Y.T.’ is such a fun, groovy little song. It just makes you want to dance, you know? The chorus is absolutely infectious and you can’t help but sing along with it, and the verses also make you feel like you’re giving a concert performance. I don’t know what else to say about this song. Just listen to it and jam. Trust me.

4. Beat It (Track 5)

This song is so fricking good, guys. It’s amazing. I mean, seriously, everything about this song is amazing? The opening bell sounds (I think that’s what they are?), the drum beat, the message, Michael’s vocals, the aggressive but fun alternating dynamics of the chorus, THE GUITAR SOLO. THE GUITAR SOLO GUYS. IT’S SO GOOD. Honestly, if you don’t like this song, I don’t trust you.

(Also, fun fact: I was in ballet when I was a lot younger, and one day our teacher asked us for songs for us to dance to during our break, and I suggested this song.)

3. Billie Jean (Track 6)

Okay, I know a lot of people would have this in the top spot, and I could agree that this is arguably the best song on Thriller from an objective standpoint, what with the fascinating lyrical premise, funky bassline, irresistible hook, iconic music video, and all the “hee-hee” moments. I just wanna say that my top 3 from this album are pretty much tied in my mind, but for the purpose of ranking the songs I have to sort them. But this song is incredible and undoubtedly a pop/funk masterpiece.

2. The Girl Is Mine (Track 3)

I’m well aware that this is one of the most unpopular songs on the album, and that was originally gonna have an effect on where I put it in this ranking (I would’ve had it 2 or 3 spots lower) but I’ve now realized that I’ve just gotta be honest – and if I’m being honest this song really is one of my absolute favorites from Thriller. Maybe it’s because of the beautiful melody and the sparkly, glossy production. Or maybe it’s because two of my musical heroes are duetting. (Michael Jackson and Paul McCartney, HELLO??? THE POWER OF THAT DUO?) But whatever it is, it just really works for me, and this is probably my most listened-to song on the album (that may be because I hadn’t heard it prior to listening to Thriller in full, so it’s a lot more fresh to me than some of the other tracks). I know the lyrics are pretty cheesy, but it’s a fun song, and I just really don’t care.

1. Thriller (Track 4)

Oh my. Where do I even begin with this song? It’s just amazing in so many ways. It captures the spirit of Halloween and has an electric and spooky feeling to it without being something that would only be enjoyable around that time of year. The production is so big and loud and grand (the giant synths/horns at the beginning are just amazing and always get me pumped up), Michael’s vocal performance is so fun and enthusiastic, and the lyrics are so vivid and interesting. Plus, the spooky narration part at the end just gives me life. I feel like everyone on Earth knows this song, and rightfully so. It deserves to be known by everyone. It’s just epic and amazing and awesome.

August 2020: Music Recap

I’ve had a pretty good month in terms of song discovery, so let’s get into all the new songs I’ve been enjoying this month!

FAVORITE SONG DISCOVERY: Last Song by Edward Bear

1. Lost In Japan – Shawn Mendes

2. Jealous – Donny Hathaway

3. Drift Away – Dobie Gray

4. Last Song – Edward Bear

5. Last Nite – The Strokes

6. Baby, I Love Your Way – Peter Frampton

7. In the Night – The Weeknd

I knew this song when I was younger but I rediscovered it this month, so that’s cool.

8. High Time – Kacey Musgraves

9. Bulletproof – La Roux

No, I didn’t discover this through TikTok.

10. Lady By the Sea – Stephen Sanchez

5 Seconds of Summer: Youngblood (2018) Songs Ranked

Rating: 10/10

After taking a three-year break from creating music, 5 Seconds of Summer came back in 2018 with a bang, crafting an album that was more or less a complete departure from the sound of their earlier music. With Youngblood they ditched angsty-teenage anthems for pop-rock bangers, and I have to say, I think they created an absolutely incredible body of work. Youngblood is actually my favorite album of theirs by far, and it’s one of very few albums where I can actually say that every song is a masterpiece in it’s own right, and there isn’t one truly skip-worthy track.

In this post I’ll be ranking all of the songs (and that includes deluxe tracks) off of the third studio album from 5 Seconds of Summer, Youngblood, from least favorite to favorite. Without further adieu, let’s get into the ranking!

16. Empty Wallets (Track 12)

Okay, I could see myself enjoying this song in certain moods, but on the whole it’s a no from me. The song’s topic isn’t really one that I connect with (being very frivolous and decadent with your money) and the overall sound just isn’t really my thing. The post-chorus is really cool though, and like I said, every song on this album has it’s merits, so this song really isn’t bad, it’s just not as good as the rest of Youngblood.

15. Meet You There (Track 15)

This song makes me so mad, because I honestly really like the verses. Luke’s vocals are truly great and they have a sort of alternative sound to them which I really enjoy. And then the chorus hits and it’s this jumbled, chaotic mess and I can’t stand it. If the whole song sounded like the verses it would be much higher up in this ranking, but alas, that cannot be because the chorus bogs this song down so much.

14. Better Man (Track 8)

I really appreciate the theme of this song, which is becoming a better person for the person you love. It’s very sweet and, in my opinion, exactly what you should want out of a relationship (to be the best version of yourself when you’re with them). However, sonically, this song is just not up my alley. It kind of feels like a watered down version of similar-sounding songs on the album. It’s not bad, it’s just not very memorable. The bridge is pretty good though, I enjoy it.

13. Valentine (Track 4)

“It don’t matter, be combative or be sweet cherry pie. It don’t matter just as long as I get all you tonight.” Everyone loves this song and I just DON’T GET IT. Like, this doesn’t sound like a Valentine’s Day song, it sounds like a Halloween song. Sonically, this just isn’t my vibe at all, but you know what? That’s okay. The reason I have this higher up than other songs is because there are a couple lyrics here and there that I really like, which I have typed out. “Throw balloons, teddy bears, and the chocolate eclairs away. Got nothing but love for you, fall more in love every day.”

12. Want You Back (Track 2)

This was the lead single for the album, and the band has said that that was because they thought it was a nice introduction to the album’s overall sound. Now, I have mixed feelings about that. I think this was a good choice for a single because it’s one of the most pop-oriented tracks on the record, which means it could get good radio-play. On the other hand, I think it’s too pop-oriented to be the best representation of the album’s sound. Nonetheless, this is a pretty good song, and I really enjoy the verses and the second-half of the chorus (where all the fun production comes in). Thing is, I don’t like the melody of the hook, and that’s a fairly big part of the song, so that lessens the song’s enjoyment for me. Oh well.

11. Babylon (Track 16)

Oh dear. I can hear all the other 5SOS fans grabbing their pitchforks. I’d say this is arguably the most popular/respected song 5SOS has ever made (in the eyes of the fans), so I know that putting it in the bottom-middle of this ranking probably won’t be the most popular decision, but if I’m being honest, I just don’t hear what everyone else is hearing. The verses on this song are honestly kind of underwhelming and slightly boring. HOWEVER. I will say that this song’s chorus is absolute perfection, as is the build-up to it. The guitar is insane and I freaking love it so much. Anyone who listens to this song and still has the gall to say that 5SOS isn’t a real band has to be out of their mind, because the instrumentation is IMPECCABLE. The chorus of this song is what saved it from being lower on the list. Also, the fact that I never saw this live should honestly be a crime.

10. If Walls Could Talk (Track 7)

I used to really love this song, and I still love it, but not quite as much as I did. I think I might’ve overplayed it. Nonetheless, this song is an absolute banger. Ashton’s voice in the pre-chorus is a gift from Heaven, and Calum’s verse is SO GOOD. The chorus has such a nice groove and it always gets me moving around. The subject matter here is a little suspicious but I’ll overlook it because this song is so catchy that I don’t care.

9. Woke Up In Japan (Track 11)

“It was more than just a neon weekend. Light slipping through the third floor curtain. Spreading love like the morning news from the day before.” I don’t think I liked this song much when I first heard it, but I guess out of nowhere a switch flipped and now I love it. It manages to be mellow and dreamy without being slow or boring. Plus, the lyrics are really compelling to me and the hook is so catchy. The “falling fast, breathing slow” part sounds like a dream, and Luke’s little vocal flourishes in the last chorus are gorgeous. This song was a grower for me but I’m so glad I like it now because it’s an absolute bop. “It’s enough to let the night let go of me. A few steps into the open doorway, heart pounding, there’s a noise complaint from room 304.”

8. Ghost of You (Track 13)

Honestly, I don’t listen to this song very often because it’s so beautiful but SO DEPRESSING. Like, for real, this song is absolutely stunning but it’s so hard to listen to because it’s so emotional. With that being said, the lyricism in this track is very soft and graceful and poignant, and Luke’s vocals are very pained and restrained (didn’t mean for that to rhyme lol) and oh so beautiful. It’s a pretty sad closer for the album (on the standard edition at least), but Luke’s outro is haunting and definitely ends the record on a beautiful note. “So I drown it out like I always do, dancing through our house with the ghost of you. And I’ll chase it down with a shot of truth, that my feet don’t dance like they did with you.”

7. Monster Among Men (Track 14)

Whew, I love this song a lot. It just makes me so emotional but happy whenever I hear it (contrary to what the title implies, it’s actually a very sweet and uplifting song). When I said that ‘Better Man’ feels like a watered-down version of other songs on this album that are similar to it, this song is kinda what I was referring to. It has a similar theme (wanting to better for the sake of your partner), and sonically this one’s just a lot more my style. Mikey’s guitar solo is awesome. The group vocals in the chorus always hit me really hard and usually bring out a weirdly emotional response in me. I don’t know why, but the way that this song hits me emotionally makes me love it a lot, so I’m cool with it.

6. Moving Along (Track 6)

UGH THIS SONG IS SO GOOD I CAN’T. It’s such a bop, and I can never listen to it without lip-syncing along with it and dancing. It just gets you moving, and I love it for that. When I first listened to this song I thought the main lyric was “alright, I’m moving along” instead of “or are you moving along?” and that caused me to think that this was an empowering song about independence and moving on. Even though I know better now, because I thought of it in that way for a long time, I always feel empowered listening to this song, which is nice. Musically, ‘Moving Along’ is fantastic. Ashton’s drum fill before the verses always sends me, and the bassline is so grabbing. The vocals are outstanding all throughout, but they really shine in the chorus. Also, the part after the bridge where you can hear Ashton drop his drumsticks is iconic. I don’t know what else to say, I just love everything about this song.

5. Youngblood (Track 1)

Where do I even start with this dang song? I don’t even know what to say. ‘Youngblood’ was a massive hit when it was released, AND RIGHTFULLY SO DAGNABBIT. It’s literally perfect. As the album opener and titular track, it does an amazing job of introducing the tone and sound of the album, as well as it’s main theme, which is that of an on-and-off, uncertain relationship. Luke’s vocals are absolutely haunting and compelling, and he carries the emotion of the lyrics amazingly. The pre-chorus really evokes an emotion out of you that makes you feel what the song is talking about. AND THEN THE CHORUS HITS. THE BASS. THE BASS. IT’S SO GOOD. IT’S SO GOOD I CAN’T. The chanting vocals, the guitar that’s brought in, the drums that are added, the soft, background “oohs”. This song was a stroke of genius and it deserves all the success it had. “Youngblood, say you want me, say you want me back in your life, so I’m just a dead man crawling tonight.”

4. Lie to Me (Track 3)

“Now I wish we never met, ’cause you’re too hard to forget. While I’m cleaning up your mess, I know he’s taking off your dress. I know that you don’t, but if I ask you if you love me, I hope you lie, lie, lie, lie, lie to me.” This song didn’t stand out much to me when I first listened to it, but then out of nowhere it just clicked, I understood what it was saying, and now I’m in love with it. This song honestly really hits me in the emotions, as it should, because it’s very sad. The lyrics are heartbreaking and very, very real. I’m not gonna explain it, you should just listen to the song if you haven’t and you’ll understand what I mean. But even though this song is sad, it’s still very pretty, and it’s an absolute treat to listen to. The harmonized vocals on the chorus are very piercing and absolutely stunning, and the instrumental captures the tone of the lyrics so well. ‘Lie to Me’ is a really short song, and though I wish it was longer, I can appreciate how swift it goes by because it never drags on, it stays perfect all throughout. This song is an absolute beauty, and that’s that on that.

3. Talk Fast (Track 4)

Okay, there was a time (say, around a month or two ago) where I would’ve given this song the top spot. Unfortunately, since then I think I overplayed this song just a little too much and now it doesn’t quite do for me what it used to, so I have it bumped down to the third spot. With that being said, I adore this song. It’s so catchy and infectious and also very underrated, which makes me upset, but also kinda happy because this song feels like my secret little gem. From the opening guitar picking, you just know you’re in for a blast with this song. The vocals are great, the melody is absolutely irresistible, and the guitar that Michael brings in for the second half of the chorus is INSANELY GOOD AND I LOVE IT SO MUCH. I have to dance around to this song every time I hear it, and I just love it so much. ‘Talk Fast’ is an almighty bop that deserves every ounce of respect it could ever get. End of discussion.

2. Why Won’t You Love Me (Track 10)

“Few drinks deep at a table for one, the place we like to go, and you take yourself home again. Three missed calls at 2 A.M. you say you never heard, you’re late to get to work. And then the time disappears, you hold back the tears. Your best girlfriend just got engaged, you say you can’t wait and need to make a change. You told me it’s so hard to be lonely.” What a relatable song, am I right? This song is so dreamy and beautiful, and it has a similar sound to ‘Woke Up In Japan’ but it’s just a tad more dynamic, which I love. Everything about this song is amazing. The vocals (especially on the high-pitched, elongated “whyyyyyy” of the hook) are outstanding, the lyrics really hit you in the heart and paint a picture of the specific scenes that are being mentioned throughout the song, the production is very atmospheric and enchanting, and the melody is so pretty and mildly desperate, it’s awesome. This is one of my favorite 5SOS songs ever and I love it to pieces. It’s just absolutely gorgeous, man, what can I say?

1. More (Track 9)

For awhile I grappled with which song I would give the top spot, because my top 3 are so close together that they’re basically all my collective favorite, but I’ve finally settled on ‘More’ as my definitive favorite. This song just has that extra oomph that is so hard to get nowadays. Maybe it’s the 80s music enthusiast in me (this song has a very 80s sound), or maybe it’s my love of pop-rock with an edge on the rock side, but this song is an actual masterpiece to me. Like, it should be framed and hung in a museum. It’s that fricking good, guys. The lyrics here, while not too prolific, are very cutting and honest, and they definitely establish a clear emotional theme. The chorus absolutely slaps of course, but I actually think the verses are the best part of the song. Luke’s vocals kill me, and thanks to Cocktail Chats (5SOS fans will know) I always have little extra parts to add in between the lyrics (again, 5SOS fans will know). In summation, this song is a work of art and I would die for it. I don’t really know how one would die for a song, but I would. (Also I would kill to see it live.)