Rating: 8.5/10
Although it was entirely unexpected, I’m very happy to be reviewing a new Taylor Swift album. I wasn’t expecting to be able to do that for at least another year, but here we are and I’m so happy. This is definitely my favorite project of Taylor’s that she’s released in a while, and I love the storytelling and sonic direction she went in for this record.
She really showed just how astounding her lyrical/storytelling skills are, because she paints these vivid pictures in your head and creates entire movie plotlines that weave in and out throughout the album, and most of the songs aren’t even about her real experiences. I feel like it’s basically impossible to deny her gift as a songwriter at this point (but we already knew that).
Without further ado, let’s get into my ranking of Taylor Swift’s surprise eighth studio album, Folklore. I’ll be ranking them from worst to best (in my subjective, personal opinion). Feel free to let me know how you would rank the album!
16. Epiphany (Track 13)
The music in this song is very beautiful, and if I’m being honest, this song is very angelic and ethereal. The lyrical content, while very sad, is also very meaningful and Taylor dealt with the topics in a sensitive and touching way. That being said, I don’t really enjoy this song when I listen to it. It’s sad, but not in a relatable way, and it’s just not a song that I could imagine myself wanting to listen to. I think ‘The Lakes’ should’ve been on the album instead.
15. This Is Me Trying (Track 9)
“They told me all of my cages were mental, so I got wasted like all my potential. And my words shoot to kill when I’m mad, I have a lot of regrets about that.” I appreciate the message of this song, which I interpret to be someone trying to get over their personal struggles (insecurity, alcoholism, etc.) in order to better themselves and bring peace to the people around them. There are a lot of great lyrics to be found in this track, but sonically it’s not appealing to me. It’s kind of monotone and the instrumental isn’t anything interesting (in my opinion, of course).
14. My Tears Ricochet (Track 5)
I don’t know what it is about this song, but it just doesn’t hit me the way that it seems to be hitting everyone else. You can tell that there was a lot of emotion in the lyrics coming from Taylor, but the song just doesn’t affect me that much. The production is cool and there are some really pretty vocal moments (like the soft, multi-layered “oohs” that open and close the track), but other than that there’s not much about this song that I really like.
13. Exile (Track 4)
“I can see you starin’, honey, like he’s just your understudy. Like you’d get your knuckles bloody for me. Second, third, and hundredth chances, balancin’ on breaking branches. Those eyes add insult to injury.” Okay, I know this is controversial. I know everybody thinks Exile is the best song ever, and I know it’s the most popular on the album. But let me have my opinion. It’s just… not all that for me. It’s not bad by any means, it’s actually a pretty good song. But it kind of just feels like the dollar-store version of ‘The Last Time’ (which is still saying a lot). Not to mention, when I first listened to this song, Justin Vernon’s voice practically reached through my earbuds and slapped me across the face. It’s honestly kinda scary when you’re not expecting it. The lyrics in this song are beautiful and the back-and-forth nature of the latter-half of the song is very nice, but it’s just not my favorite to listen to. It doesn’t make me cry and it doesn’t make me dance, so like… what does it offer me?
12. Mad Woman (Track 12)
I didn’t like this song much when I first listened to it, but it’s grown on me quite a bit since then. I think the best part of this song is the instrumental, which does a great job of creating a mood, as well as contrasting the bitterness and anger of the lyrics with a gentle piano line. Plus, the second half of the chorus, the whole “poke that bear till her claws come out” part, is really pretty and I like the melody a lot.
11. Hoax (Track 16)
I used to have ‘Hoax’ near the very bottom of this ranking, but I guess I’ve just started to appreciate how pretty and soothing it is. This song is very slow, but it’s also very gentle, haunting, and melancholy. It kind of lulls you as you listen to it. The lyrics are absolutely heartbreaking and devastating, and it upsets me whenever I think about what Taylor might’ve been writing this about. Her voice is very soft and withdrawn here, but it’s oh so pretty.
10. Peace (Track 15)
True to the track’s title, ‘Peace’ is a very calming, relaxing, and peaceful song. The little guitar line is so nice and pleasant to listen to. With the extremely simple instrumental, ‘Peace’ is more than anything a lyrical showcase. This song is about Taylor’s remorse and insecurity that she’ll never be able to give her partner a peaceful relationship due to her fame and stardom, and it’s very vulnerable and genuine. I like this song a lot, but I wouldn’t say that I love it.
9. Betty (Track 14)
So this is the final song in the “Teenage Love Triangle” trilogy, and it’s very sweet and cute. For those who don’t know, Taylor said this thing online about how, among many of the stories she told on this album, there was a trilogy of three songs that detail a love triangle between three teenagers, all from a different person’s perspective. This song is from the perspective of James, who cheated on his girlfriend Betty during the summer. This song is him explaining why he did what he did, expressing his remorse, and essentially begging to be taken back. Sure, the fact that he cheated really sucks, but this song does manage to make you empathize with him a little bit, and I think that shows Taylor’s mastery of storytelling. Plus, it’s very country-influenced, and musically, it’s just a blast to listen to. “Would you trust me if I told you it was just a summer thing? I’m only seventeen, I don’t know anything, but I know I miss you.”
8. The Last Great American Dynasty (Track 3)
“Fifty years is a long time. Holiday House sat quietly on that beach, free of women with madness, their men and bad habits, and then it was bought by me. Who knows, if I never showed up, what could’ve been? There goes the loudest woman this town has ever seen. I had a marvelous time ruining everything.” This song is such a treat. It’s absolutely delightful. Not gonna lie, when I first read the title of this song on the tracklist announcement, I was a bit worried because I thought it was gonna be some super political song. Thankfully, it’s not. It’s actually a story about the woman who owned Taylor’s Rhode Island house before she did, but in song-form! How cool is that? I also love Taylor’s vocals when she’s singing “I had a marvelous time”. When I first listened to this song I thought it was gonna place in my top favorites from the album, but due to folklore’s overwhelming quality, it’s stuck here. Still, I really enjoy this song.
7. Seven (Track 7)
GASP! IT’S A TRIPLE SEVEN!
Okay, I just wanna start out by saying that placing this song in the seventh spot wasn’t intentional. It just worked out that way. Still, it’s pretty cool. This song is so pretty and adorable and nostalgic, and I love the instrumental with all my heart. I won’t lie, the way she sings the first verse (that is, in a very high head voice) gets on my nerves, but I’m willing to overlook it because the rest of the song is absolutely lovely. When I hear this song I think of a wooden swing hanging down from trees in the middle of an enchanted forest. It’s just that whimsical and pretty. “Sweet tea in the summer, cross my heart, won’t tell no other. And though I can’t recall your face, I still got love for you. Pack your dolls and a sweater, we’ll move to India forever. Passed down like folk songs, our love lasts so long.”
6. Mirrorball (Track 6)
“I want you to know, I’m a mirrorball. I’ll show you every version of yourself tonight. I’ll get you out on the floor, shimmering beautiful. And when I break, it’s in a million pieces.” The thing I love most about ‘Mirrorball’ is the juxtaposition between the instrumental/melody and the lyrical content. If you’re just listening to the song and not paying attention to the lyrics, you’re gonna think this is just some playful, cheery little tune. But if you listen to what Taylor’s actually singing, this song is pretty sad. The music is sparkly and light, but the lyrics are about someone who tries to act breezy and charming in order to please everyone else, when really it doesn’t come naturally, and they’re just trying to mask their personal struggles (or at least that’s how I interpret them). And the contrast between the instrumental and the lyrics perfectly fits the song’s whole metaphor of the mirrorball, and that’s why Taylor Swift and Jack Antonoff are geniuses.
5. Cardigan (Track 2)
‘Cardigan’ was the first single for this album, and though I think there were other songs that would’ve been a better choice, I can see why this one was picked because it’s a great encapsulation of this album’s overall sound and tone. ‘Cardigan’ is also another song in the Teenage Love Triangle, this time from the perspective of Betty (the girlfriend who was cheated on). It’s a sad but also kinda uplifting song, but mostly it’s just very dreamy and beautiful in the way it sounds. Not to mention, the music video is absolutely stunning. “A friend to all is a friend to none. Chase two girls, lose the one. When you are young they assume you know nothing.”
4. The 1 (Track 1)
Let me tell you, when I listened to this album for the first time, I don’t know what I was expecting, but this song blew me away. THIS IS HOW YOU OPEN AN ALBUM. ‘The 1’ is an extremely catchy and endearing song, and I may have overplayed it a little, but that doesn’t take away from it’s oozing charm. The melody is so soft and sweet and infectious, I love it so much. Overall, Taylor did an amazing job with this song.
3. Illicit Affairs (Track 10)
“Leave the perfume on the shelf that you picked out just for him. So you leave no trace behind, like you don’t even exist. Take the words for what they are: a dwindling, mercurial high. A drug that only worked the first few hundred times.” This is one of two songs on Folklore that tells the story of an affair, and both are from the perspective of the mistress in the situation. And interestingly enough, both songs make you empathize with the mistress (but we’ll get to that later). This song is a beautiful description of how messy and heartbreaking affairs can be for everyone involved, and Taylor’s lyricism is incredibly potent and absolutely piercing. The instrumental is a soft, refined guitar-picking pattern, and it complements Taylor’s gentle, pained vocals very nicely. Overall, this is probably the best crying song on the album for me, and it gets the biggest emotional reaction out of me. It’s full of despair and beauty and hopelessness, and I love it. “Look at this idiotic fool that you made me. You taught me a secret language I can’t speak with anyone else. And you know damn well, for you, I would ruin myself a million little times.”
2. Invisible String (Track 11)
THIS. SONG. IT’S SO CUTE AND WHIMSICAL AND ROMANTIC I LOVE IT. This song is basically Taylor detailing a bunch of little details from the past that more or less connected her to her current boyfriend, Joe, and it’s delightful. This song is so pleasant to listen to, and it shows just how romantic and poetic Taylor can be. And I love her for it. This was one of the songs that really stuck out to me in what was an otherwise slightly-less-appealing last section of the album. Since then, it’s grown on me a whole lot, and I love it even more now.
1. August (Track 8)
“But I can see us lost in the memory, August slipped away into a moment in time, ’cause you were never mine. And I can see us twisted in bed sheets, August sipped away like a bottle of wine, ’cause it was never mine.” And now we’ve arrived at my favorite song from Folklore! Yay! This is the final song I’m gonna talk about that is part of the Love Triangle storyline. ‘August’ is from the perspective of the girl that James cheated with, and while normally you wouldn’t be drawn to her character, Taylor does such an amazing job writing and singing this song that this girl, who doesn’t even have a name, has an incredibly compelling and heartbreaking story, and you can’t help but sympathize with her. This song reveals that the girl James cheated with was hopelessly in love with him and wanted more from their summer romance than she ended up getting, due to the fact that James didn’t actually love her (and she could tell). The little nuances and emotions that Taylor captures in this song are breathtaking, and her lyrics paint such a strong picture in your head of a sunny, carefree summer romance that was doomed from the start. Musically, this song is lovely, and Taylor has some great vocal moments. To wrap this up, this song is a beautiful masterpiece and it deserves everything. “Back when we were still changing for the better, wanting was enough. For me it was enough to live for the hope of it all. Canceled plans just in case you’d call and say ‘meet me behind the mall’. So much for summer love, and saying us ’cause you weren’t mine to lose.”