Anna's Music World

Taylor Swift: Reputation (2017) Song Ranking

Rating: 8/10

Taylor Swift’s Reputation was a big step away from the themes of her previous albums. It was darker and more sophisticated than her previous records, and the album, despite having no interview-promotion, was hugely successful. Personally, the sound of the album isn’t really my favorite, which is why I’ve rated it relatively low. However, I can appreciate the album for what it was meant to be, and I do like it. I just can’t rate it super highly because it’s not the genre of music I really like.

In this post I’ll be ranking all of the songs from Taylor Swift’s sixth studio album, Reputation, from worst to best. These are just my opinions, so sorry if you don’t agree with them.

15. Dress (Track 12)

It may be controversial that I put this song lowest on the list, but I’m gonna stick with it. The song is a little to sultry for my taste, and I’m not really a fan of how almost the entire song is sung in upper-register head voice.

14. So It Goes… (Track 7)

This song is just kind of boring. There is some interesting lyricism, but the song really isn’t that exciting to listen to. I do really like when it goes ‘so it goes’ in the chorus. That is a really pleasant facet of the chorus.

13. Gorgeous (Track 8)

I don’t dislike this song, but I don’t love it. I like Taylor’s vocals, and the chorus is my favorite part of the song, but the verses don’t do much for me.

12. Look What You Made Me Do (Track 6)

I know opinions on this song are pretty divided. Personally, I like it but I don’t love it. Lyrically, it’s really interesting (in the verses, that is) and it’s fun to recite. Plus, it’s iconic.

11. This Is Why We Can’t Have Nice Things (Track 13)

“It was so nice throwing big parties, jump into the pool from the balcony. Everyone swimming in a champagne sea. And there are no rules when you show up here, bass beat rattling the chandelier. Feeling so Gatsby for that whole year.” The main reason I like this song is because, firstly, I like the description in the verses. They paint a nice picture. Secondly, I like the upbeat tone, which is a rarity on this album. And thirdly, Taylor’s laugh towards the end.

10. New Year’s Day (Track 15)

Again, it’s probably unpopular for me to rank this song relatively low on the list, as it’s beloved by the fans. And I really do like this song. I appreciate it’s thematic significance, and I really love how stripped back it is, especially when contrasted with the rest of the album. However, it’s just not one I find myself listening to often.

9. King of My Heart (Track 10)

I really like Taylor’s vocals here, and I love the synths in the chorus. The chorus is what makes the song for me, in fact. I also like the lyricism. I don’t listen to it too often, but it’s one I look forward to when listening to the album.

8. Dancing With Our Hands Tied (Track 11)

This song marks the point on the list where all the songs from here on out are my favorites from the album. Surprisingly, the pre-chorus is my favorite part of this song. It’s really the only reason this song is ranked so high. It just makes me want to move around.

7. …Ready For It? (Track 1)

Not gonna lie, Taylor’s not a terrible rapper. I like the verses on this song, and the pre-chorus is pretty cool, but I can’t deny that the chorus of this song really steals the show. It’s so dreamy, and it’s just great to listen to.

6. End Game (Track 2)

I think most people wouldn’t have this song so high up, and to be honest, I wouldn’t either if it weren’t for the pre-chorus. Something about it is so poignant and relatable for me. “I don’t wanna touch you, I don’t wanna be just another ex-love you don’t wanna see. I don’t wanna miss you like the other girls do.” The rap verses aren’t really my favorite (actually, I like Ed Sheeran’s) but the pre-chorus just hits different, and it’s made this song one of my favorites to listen to.

5. Call It What You Want (Track 14)

I originally had this song far lower on the ranking, but I guess I just saw something different in this song after relistening to it the other day. It’s such a beautiful ode to the love Taylor’s experiencing, and you can tell that this is the happiest and most comfortable she’s ever been in a relationship. I also love the opening instrumental. Overall, this is a very touching and refreshing love song.

4. Delicate (Track 5)

This song didn’t do much for me when I first heard it, but upon relistening to it many times, I actually really appreciate it. Similarly to 1989‘s track 5, sonically, it doesn’t sound too emotional, but lyrically, it’s actually very vulnerable and relatable. I like the reserved synths, and I like how Taylor doesn’t try to do too much with her voice. This song was meant to be cautious and shy, not showy and outspoken. It’s meant to be delicate. I get happy butterflies every time I hear this one.

3. I Did Something Bad (Track 3)

If you think LWYMMD is a bad-girl anthem, just wait till you hear this. I Did Something Bad shows Taylor declaring that she’s fine with her decisions, even if they’ve been the subject of public scrutiny/criticism. I kind of wish this could’ve been a single, but I don’t know if it’s really a radio song. It has too much power. “I never trust a narcissist, but they love me. So I play ’em like a violin, and I make it look oh so easy. ‘Cause for every lie I tell them, they tell me three. This is how the world works, now all he thinks about is me. I can feel the flames on my skin, crimson-red paint on my lips. If a man talks s**t then I owe him nothing. I don’t regret it one bit ’cause he had it coming.”

2. Getaway Car (Track 9)

“It was the best of times, the worst of crimes. I struck a match and blew your mind, but I didn’t mean it, and you didn’t see it. The ties were black, the lies were white. In shades of gray in candlelight. I wanted to leave him. I needed a reason.” This song is the president of Repuation’s ‘Should Have Been a Single’ club. I’m also pretty sure that Swifties universally agree that this is the one of the best songs on the album. It’s just classic Taylor. From wonderful story-telling in the lyrics, to a careful retelling of how a relationship ended, it’s just an amazing song. It’s radio-friendly without being generic, and the production is fantastic. This song has Taylor comparing a rebound relationship to a getaway car. The two people are leaving everything behind, trying to make the relationship last as long as it can, while knowing that it’s bound to fail. “You were driving the getaway car, we were flying, but we’d never get far. Don’t pretend it’s such a mystery, think about the place where you first met me. Riding in a getaway car, there were sirens in the beat of your heart. Should’ve known I’d be the first to leave, think about the place where you first met me.”

1. Don’t Blame Me (Track 4)

I don’t know what happened, but somehow this song went from being in the bottom-middle of my ranking to being my favorite on the whole album. This song is INCREDIBLE. It’s so moody and seductive and atmospheric, you can just tell that Taylor was having so much fun making it. The lyrics in the verses are really good, and the chorus, while not lyrically advanced, is so powerful and forceful that it makes up for it. The gospel influence adds so much richness to the track, and that part at the end of the chorus where it’s just the choir (of Taylor’s voice) singing makes me ASCEND EVERY TIME I HEAR IT. AND THEN TAYLOR’S HIGH NOTE JUST MAKES IT EVEN MORE INCREDIBLE. Basically, this song is amazing and even though it was a grower for me, I literally never get sick of hearing it now.

Sabrina Carpenter: Eyes Wide Open (2015) Song Ranking

Rating: 7/10

Just a warning, I was obsessed with Sabrina Carpenter a few years back, so this review is going to have a lot of references to nostalgia.

Sabrina Carpenter’s debut album, while very sugary and girly, did a great job of showing her vocal ability and potential as an artist. This album is very accurate to what a teenage girl would put in an album, which makes sense, because Sabrina was a young teenage girl when she released this. While the innocence of the album may be unsuitable for critics, I don’t mind it, as I’m a teenage girl myself.

Without further ado, let’s get into the ranking! I’ll be ranking all of the songs from Sabrina Carpenter’s debut album Eyes Wide Open from worst to best. Enjoy!

12. We’ll Be The Stars (Track 4)

This song isn’t awful, but it’s just so cookie-cutter pop. Like, she really chose one the blandest songs off of the album for the lead single.

11. The Middle of Starting Over (Track 3)

It kind of pains me to rank this song as the worst, because it was one of my favorites when I first listened to this album years ago. However, upon re-listening, I have to say that this is probably one of the most generic and bland song on the record. It’s not particularly catchy, and the lyrics aren’t too memorable. Just like WBTS, it’s not bad, just not really that good.

10. Two Young Hearts (Track 5)

I like this song well enough. It is very bubbly and pop-oriented, but is has some nice vocals from Sabrina, so I can’t say it’s one of the worst songs on the record.

9. Seamless (Track 8)

I feel bad ranking this song pretty low on the list, because it’s very sweet and it was one of my favorites when I first listened to Eyes Wide Open. However, compared to some of the other songs, it’s just not as objectively good. I do like it though.

8. Too Young (Track 7)

I feel like this is objectively one of the best songs on the album. It’s one of the more serious (it’s not an incredibly meaningful song, but it is one of the more meaningful songs on the album) and sad songs, which makes me appreciate it. It’s not one of my absolute favorites to listen to though, so I’m gonna stick it here, rather than higher up. “Raindrops, deep thoughts. Pictures of you and me wherever I go. Laughing, running, to a place where nobody says no. And it’s gonna hurt sometimes, no matter what you do. But I’ve got to fall to fly…”

7. Your Love’s Like (Track 6)

I like this song because the hook is pretty good, and it has a different sound than most of the other songs. Sabrina’s vocals are good, and the lyrics are cute (though not relatable to me, as I am very single).

6. Best Thing I Got (Track 12)

This song marks the point on this list where all the songs from here on out are my favorites from the album. The closer for Eyes Wide Open, while not thematically unique, is definitely one of the more polished and catchy songs on the record. It’s a little less bubblegum-pop than the other pop songs on the album, and it has a bit of a, dare I say, jazzy feel to it. It’s not jazz, but something about it gives me jazz vibes. Also, for some reason it reminds me of the Full House theme song.

5. Darling I’m a Mess (Track 10)

“This might be wrong, but he’s all I know. He’s all I know. And most times I pretend he’s just a friend. He’s just a friend.” I like this song because of the ukulele, Sabrina’s voice, and the relatable lyrics. It’s pretty accurate for what it feels like to have a massive crush on someone, but being too nervous to tell them. I’d say this is a good song to listen to if you want a feel for the album. If you don’t like this song, Eyes Wide Open may not be for you.

4. Right Now (Track 9)

This was one of my favorites back when I first listened to this album, and it still is. Something about the sunny tone of the song, matched with Sabrina’s lovely voice and optimistic lyrics just makes me happy. “I have a way of getting stuck on yesterday. I tend to miss the little things that come my way. Always looking forward, always looking back. They seem so near, but they’re not here. ‘Cause time moves on so quickly, without or with me. I’ve got to take a breath…”

3. White Flag (Track 11)

The penultimate track is definitely one of the best from the album. Sabrina’s vocals are really good, and the lyrics do a good job of painting a picture. Something about the message and theme of this song is really effective for me, I don’t even know, man.

2. Can’t Blame a Girl For Trying (Track 2)

I’d say this is probably the song that I enjoy listening to the most, and it was definitely my favorite back when I first listened to the album. Something about is just so pleasant and joyful, without being annoying. This song is an anthem for teenage girls who can’t navigate the world of boys. Plus, the music video is super cute.

1. Eyes Wide Open (Track 1)

“Everybody loves to tell me I was born an old soul. Better keep my eyes wide open, there’s so much that I don’t know. Just another hotel room, never felt so all alone. I think about my granddad’s eyes, and he always sends me home. I can almost hear him now. I gotta make him proud.” The opening and titular track of this album is the best. I used to bop hard to this song as a youngling. Honestly, the background instrumental is so glamorous, and Sabrina’s vocals are awesome. The lyricism is also really interesting. This is probably the most mature song on the album. “I can’t see two steps ahead of me when the fog comes rolling in. I never thought I’d miss the rain, lord knows how long it’s been. This dream burns inside of me, and I can’t just let it go. There’s still so much that I don’t know.”

The Beatles: Help! (1965) Songs Ranked

Rating: 8/10

By 1965, The Beatles had proven that they were more than your average boy band. Beatlemania was still going strong at the time of Help!‘s release, and you can really see how all the attention was affecting them in some of the songs. While this isn’t one of their most critically acclaimed albums in total, it does hold some of their most acclaimed songs, and I feel like you just can’t say that this a mediocre album. Some of the songs are pure filler, but the highlights are too fantastic to brush off.

In this post I’ll be ranking all of the songs on The Beatles’ fifth studio album, Help!, from worst to best. I hope you enjoy my review, and feel free to let me know your opinions on the album.

14. Act Naturally (Track 8)

I mean this in the nicest way possible, but… this is probably the worst Beatles song I’ve ever heard. Granted, I haven’t listened to all of their albums, but like… wow. I’m telling you, Ringo always gets the short end of the stick when it comes to the songs he gets to sing. Like, he has a nice voice, but the songs he works with just don’t do it justice. This song is a cover, so maybe I just don’t really like this version of it, and I’m not trying to bash anyone, but yeah. Not my cup of tea.

13. You Like Me Too Much (Track 10)

This song is pretty bland. It doesn’t really stick out too much, and sounds like it would be on their debut (something that I think applies to a lot of the weaker songs on this album).

12. Tell Me What You See (Track 11)

Again, a pretty bland song. I like it more than You Like Me Too Much (hence why it is ranked higher), but I have no desire to listen to it outside of the album.

11. Another Girl (Track 5)

For a filler track (yes, I’m declaring it a filler track. Sue me) I’d say this is pretty good. Not great, but decent. The guitar work is pretty nice, and the vocals aren’t bad. It’s just not one of my favorites.

10. Dizzy Miss Lizzy (Track 14)

A lot of people don’t like this song, and I guess I can see why it wouldn’t be everyone’s favorite, but I happen to like it. It gives me Twist and Shout vibes (though not as good as Twist and Shout, of course) and I think it would be very fun to dance to. To be honest, I think any song that comes right after Yesterday is going to seem average. Also, Ringo’s great on the drums, as usual.

9. I’ve Just Seen A Face (Track 12)

This is a sweet, fast-paced song about love at first sight. While not a masterpiece, it is a nice song, and I wouldn’t mind listening to it outside of the album. The vocals are very pleasant, and this is definitely one of the strongest tracks on the B-Side (though not the strongest, ’cause we all know what that is).

8. The Night Before (Track 2)

This is a classic upbeat Beatles song, and I wish I could rank it higher, as it’s definitely one of the stronger tracks on the album. However, it’s not as strong as the songs I’m going to list later on, so I must place it here.

7. It’s Only Love (Track 9)

I read this on a YouTube comment, and I have no knowledge of whether or not it’s true so don’t quote me on this, but apparently John hated this song, which makes me sad. Sure, it’s a bit of a filler-track, but as far as filler-tracks go, it’s pretty awesome. The lyrics are quite sweet, the guitar-work is great, and John’s vocals are as lovely as ever. “Is it right that you and I should fight every night? Just the sight of you makes nighttime bright, very bright. Haven’t I the right to make it up girl? It’s only love and that is all, why should I feel the way I do? It’s only love and that is all, but it’s so hard loving you.”

6. You’ve Got To Hide Your Love Away (Track 3)

This song marks the point on this list where all the songs from here on out are my favorites. I love this song, man. I was originally going to have it much higher, and it physically pains me that I have it in the number 6 spot. The message of the song is one that I find strangely relatable, and because of that, this song strikes a chord for me. John’s vocals really shine, and the guitar just goes so well with the tone of the song. Overall, a superb song, and a definite highlight of the album.

5. I Need You (Track 4)

I’ve said before that I absolutely adore George Harrison’s voice, and this song is a great an example of why. He makes this song sound so dreamy and heavenly, especially at the “please come on back to me” and “I didn’t realize” parts. The harmonies just add to that dreamy quality, and the steady guitar and drumming in the background really adds to the track. I was gonna have this in the number 6 spot with You’ve Got To Hide Your Love Away in the number 5 spot, but at the last minute I’ve decided to swap that order. Just know that this song and that song are basically right next to each other, but because I’ve listened to YGTHYLA a million times, I’m putting this one higher because it feels fresher to me.

4. Help! (Track 1)

“When I was younger, so much younger than today, I never needed anybody’s help in any way. But now these days are gone and I’m not so self-assured. Now I find, I’ve changed my mind, I’ve opened up the doors.” The opening and titular track of the album is what I was referring to in my introduction when I said that you can see how worldwide fame was affecting the band members. This song has the sense of urgency and panic that the lyrics describe, and I love it so much. I would rank this higher, but honestly, these top 6 tracks are all neck-and-neck, so they’re basically all number ones for me. The harmonies in this song are extremely masterful, and this song definitely deserves the acclaim it’s earned, as well as it’s enduring popularity and fan-favorite status. “And now my life has changed in oh so many ways. My independence seems to vanish in the haze. But every now and then I feel so insecure. I know that I just I need you like I’ve never done before.”

3. Ticket To Ride (Track 7)

The guitar work in this song is some of the most beautiful guitar work I’ve ever heard. John’s vocals only add more brilliance to this song, and the harmonies are perfect as usual. The best parts of this song are the vocals and the guitar (the drums too), so I don’t know what else I can say. I think the fact that I have this ranked higher than Help! should speak to the quality of this song, so just go listen to it if you haven’t already. This is one of the most popular songs from the album, and pretty underrated in the grand scope of The Beatles’ discography, and it has a fade-out ending. What else could you need?

2. You’re Going To Lose That Girl (Track 6)

This is one of the lighter songs from the record, and some could call it filler, but I refuse to do so. The absolute joy that I get from listening to this song has made it one of my favorite Beatles songs of all time. Not to exaggerate, but the guitar solo at 1:08 gives me life. All in all, this song is so incredibly catchy and infectious that the first time I heard it (which was before I listened to the album in full) I listened to it, like, 20 times in a row. John’s voice is wonderful here, and I can’t sing the praises of this song enough, so as I said for Ticket To Ride, just listen to it if you haven’t already.

1. Yesterday (Track 13)

Aaaaaaand approximately no one is surprised by the number one choice. What can I say? This song is just absolute perfection the whole way through, without a bad moment. Some people say that this song is overrated, and I think that, to an extent, that is true. This song gets no shortage of praise, but to be honest, I think it’s justified. This song is melancholy without being depressing, and it manages to have an uplifting feeling to it despite the sad subject matter. All the lyrics are beautiful, made even more gorgeous by Paul’s spectacular voice. I’ve always said that I love when songs are short, because even though I wish they went on longer, the briefness makes it so that the song is all wine and no water (does that make any sense? I feel like it didn’t so I’ll rephrase. When a song is short, it makes it so that there’s no part that drags. It’s like the whole song is a highlight reel). Yesterday is a perfect example of that. It’s barely over two minutes, and it’s two short minutes of perfection. “Yesterday, all my troubles seemed so far away. Now it looks as though they’re here to stay, oh I believe in yesterday. Suddenly, I’m not half the man I used to be. There’s a shadow hanging over me. Oh yesterday came suddenly. Why she had to go, I don’t know, she wouldn’t say. I said something wrong now I long for yesterday. Yesterday, love was such an easy game to play. Now I need a place to hide away, oh I believe in yesterday. Why she had to go, I don’t know, she wouldn’t say. I said something wrong now I long for yesterday. Yesterday, love was such an easy game to play. Now I need a place to hide away, oh I believe in yesterday.” Yeah, I just quoted the entire song. Utter perfection.

December 2019: Music Recap

December has been a relatively calm month for me in terms of music. I did discover a lot of new songs I like, but not as many as usual, probably due to my abundant listening to Christmas music.

So here’s the recap of the new songs I’ve been liking this past month.

1. Unwritten – Natasha Bedingfield

2. You’re Going To Lose That Girl – The Beatles

3. Be My Baby – The Ronettes

4. Anna (Go to Him) – The Beatles

If you want my full review of this song, check out my album review for Please Please Me.

5. Shoop – Salt-N-Peppa

I don’t even know. We’ll call it a guilty pleasure (also thank you Ben Wyatt for introducing me to this song).

6. It’s Still Rock and Roll to Me – Billy Joel

7. Daughters – John Mayer

8. Bye Bye Bye – *NSYNC

Again, a guilty pleasure.

9. The One That Got Away – Katy Perry

10. Talking to the Moon – Bruno Mars

11. When I Was Your Man – Bruno Mars

This song was super popular back in the day, so I had heard it many times before prior to this past December. However, I fell in love with it again this past month, so I’m going to list it anyway.

12. Untouchable – Taylor Swift

I finally got around to listening to the deluxe versions of Taylor’s albums, and I discovered some real gems, such as this one.

13. Superman – Taylor Swift

Another deluxe track that I adore.

14. Christmas Tree Farm – Taylor Swift

And that wraps up my musical discoveries of December 2019!

(I may make a post dedicated to film scores, because I’ve really fallen in love with some of them)

Road Trip Playlist

A road trip is incomplete without tunes. The music playing in the background as you drive through landscapes is an important part of the experience, which is why many people take it upon themselves to create mixes just for driving. Here, I’ve compiled a list of some of the best songs to drive to. My top choice will be in a different color than the rest.

1. Don’t Stop Believin’ – Journey

“Strangers waiting up and down the boulevard, their shadows searching in the night. Streetlights, people, living just to find emotion hiding somewhere in the night.”

2. Hooked On a Feeling – Blue Swede

“I can’t stop this feeling deep inside of me. Girl you just don’t realize what you do to me. When you hold me in your arms so tight you let me know everything’s alright. I’m hooked on a feeling, I’m high on believing, that you’re in love with me.”

3. California – Phantom Planet

Whether or not you’re going to California, this song is perfect for driving with the windows down. “We’ve been on the run, driving in the sun, looking out for number one. California, here we come. Right back where we started from.”

4. I Still Haven’t Found What I’m Looking For – U2

“I have climbed highest mountains, I have run through the fields, only with to be with you. Only with to be with you. I have run, I have crawled, I have scaled these city walls, these city walls, only to be with you. But I still haven’t found what I’m looking for.”

5. A Place In This World – Taylor Swift

“I’m alone, on my own, and that’s all I know. I’ll be strong, I’ll be wrong, oh but life goes on. Oh I’m just a girl, tryna’ find a place in this world. Got the radio on, my old blue jeans, and I’m wearing my heart on my sleeve. Feeling lucky today, got the sunshine, could you tell me what more do I need?”

6. Free Fallin’ – Tom Petty

“I wanna glide down over Mulholland. I wanna write her name in the sky. I’m gonna free fall out into nothin’. Gonna leave this world for awhile.”

7. Unwritten – Natasha Bedingfield

“No one else can feel it for you, only you can let in. No one else, no one else, can speak the words on your lips. Drench yourself in words unspoken, live your life with arms wide open, today is where your book begins, the rest is still unwritten.”

8. Life is a Highway – Rascal Flatts

You can also do the Tom Cochrane version (the original) if you prefer, but I think this one has a better driving quality. “Life is a highway, I wanna ride it all night long. If you’re going my way, I wanna ride it all night long.”

9. Getaway Car – Taylor Swift

“You were drivin’ the getaway car, we were flyin’, but we’d never get far. Don’t pretend it’s such a mystery, think about the place where you first met me. Ridin’ in a getaway car, there were sirens in the beat of your heart. Should’ve known I’d be the first to leave, think about the place where you first met me.”

10. Tiny Dancer – Elton John

“Hold me closer, tiny dancer. Count the headlights on the highway. Lay me down in sheets of linen. You had a busy day today.”

11. Summer of ’69 – Bryan Adams

“Oh, when I look back now, that summer seemed to last forever. And if I had the choice, yeah I’d always wanna be there. Those were the best days of my life.”

12. American Pie – Don McLean

“So bye bye, Miss American Pie. Drove my Chevy to the levee, but the levee was dry. And them good old boys were drinking whisky and rhye, singing ‘this’ll be the day that I die’.”

13. Friday I’m In Love – The Cure

“I don’t care if Monday’s blue, Tuesday’s gray, and Wednesday too. Thursday, I don’t care ’bout you. It’s Friday, I’m in love.”

14. Don’t You Forget About Me – Simple Minds

“Won’t you come see about me? I’ll be alone, dancing you know it baby. Tell me your troubles and doubts, given everything inside and out. And love’s strange, so real in the dark, think of the tender things that we were working on. Slow chains may pull us apart. When our life gets into your heart, baby, don’t you forget about me.”

15. Hey Jude – The Beatles

“Hey Jude, don’t make it bad. Take a sad song and make it better. Remember, to let her into your heart. Then you can start to make it better. Hey Jude, don’t be afraid. You were made to go out and get her. The minute you let her under your skin, then you begin to make it better.”

Billy Joel: 52nd Street (1978) Song Ranking

Rating: 7.5/10

After his breakthrough album, The Stranger, there was a lot of pressure on Billy Joel to repeat his success. However, instead of copying his previous album, Billy decided to try something new, and it definitely paid off, as 52nd Street was a huge success.

In this post I’ll be ranking all of the songs on Billy Joel’s sixth studio album, 52nd Street, from worst to best.

9. Rosalinda’s Eyes (Track 6)

This is a nice song, and for other people, I can see why it would be a favorite. The vocals and instrumental go together well, and the lyrics have some nice rhyming in them, but overall, this song just kind of blends in with the rest of the record.

8. Big Shot (Track 1)

I know it’s controversial that I’m putting this so low, as it’s one of the more popular songs off of 52nd Street, but I’m going to stick with my decision. This song is really fun and catchy, and I do like it, but it’s a little more generic than the other songs. Like I said though, it’s an enjoyable listening experience, and a valuable addition to the album.

7. 52nd Street (Track 9)

The closing/titular track on the album is the jazziest, which is appropriate, since the whole album is jazz-influenced, and 52nd Street is a street known for its jazz clubs. I enjoy this song and the playful tone it brings about, but I’m not in love with it.

6. Until the Night (Track 8)

This song marks the point on the list where all the songs from here on out are my favorites from the album (and just to address: I know I say this in all of my rankings. I always feel it necessary to say, so consider it a staple of my album rankings). Billy’s voice sounds really different in the verses in this song, so much so that I initially thought it was a duet. I may just be stupid though. Anyway, this is a great ballad, and very romantic, but it does go on a little too long in my opinion. This song also has some great lyrics. “When the sun goes down and the day is over, when the last of the light has gone, as they pour into the street I will be getting closer. As the cars turn their headlights on, while they’re closing it down, we’re gonna open it up. And while they’re going to sleep we’ll just be starting to touch. I’m just beginning to feel, I’m just beginning to give, I’m just beginning to feel, I’m just beginning to live. Before I leave you again, before the light of the dawn, before this evening can end, I have been waiting so long.”

5. Stiletto (Track 5)

This is an irresistibly catchy, and dare I say, GROOVY, song about a manipulative woman. From the saxophone at the beginning to the infectious piano riff at the beginning (accompanied by snaps), there’s nothing about this song that’s unpleasant to listen to. Billy’s vocals also accentuate the clever lyrics. “She cuts you once, she cuts you twice, but still you believe. The wound is so fresh you can taste the blood, but you don’t have strength to leave. You’ve been bought, you’ve been sold, you’ve been locked outside the door. But you stand there pleadin’, with your insides bleedin’, ’cause you deep down want some more. Then she says she wants forgiveness, it’s such a clever masquerade. She’s so good with her stiletto, you don’t even see the blade.“

4. Zanzibar (Track 4)

I like this song because the instrumental is very modern-jazzy, the vocals are fun, and the lyrics paint a vivid picture of the scene being described. It’s hard not to move to this one. I will say that it’s a little longer than it needs to be, but not overwhelmingly so. I also imagine this song would be a blast to play on the piano.

3. Honesty (Track 2)

One of the more sentimental tracks of the album, Honesty is one of the most successful songs from 52nd Street, as it was nominated for Song of the Year at the Grammys. The lyrics and vocal performance are very moving, and it shows a certain vulnerability that’s not present on this album outside of Until the Night, and maybe Rosalinda’s Eyes.

2. My Life (Track 3)

By far the most popular song off this album nowadays, My Life is extremely catchy and endurable. And I know that most people will want this to be in the top spot, but just know that this song and the top choice are very close together. I think I’ve just heard this one more often, so it’s not as fresh in my mind. “I never said you had to offer me a second chance, I never said I was a victim of circumstance. I still belong, don’t get me wrong. And you can speak your mind, but not on my time. They will tell you you can’t sleep alone in a strange place, then they’ll tell you you can’t sleep with somebody else. Ah, but sooner or later you sleep in your own space, either way, it’s okay, you wake up with yourself.”

1. Half a Mile Away (Track 7)

This is my favorite song, probably because it’s the most fun-sounding. It kind of sounds like a song that would play in the end scene of a movie, where the main character and their friends all gather around and just hang out. The instrumental is incredibly infectious, as are Billy’s vocals. “I’ve given everybody so much time, now I need a moment that’s mine. Oh, my other world is just a half a mile away.”

Adele: 19 (2008) Song Ranking

Rating: 7/10

At 19 years old, Adele released her debut studio album, titled after her age. The album was and still is a huge success, selling numerous copies and being critically acclaimed. It definitely showed Adele’s impressive vocal ability, as well as showcasing her unique style.

In this post I’ll be ranking all of the songs from Adele’s debut album, 19, from worst to best. Without further ado, let the ranking commence!

12. Tired (Track 11)

This isn’t a bad song, which speaks to the quality of this album, but it’s definitely my least favorite. I don’t find it too catchy or memorable. Plus, it’s not as rhythm-and-blues as the other songs on the album, which is disappointing, because I really like that about this album.

11. My Same (Track 10)

The instrumental for this song is really cool, it’s definitely the best part of the song. And while the lyrics are cute, they’re not too interesting, and I just don’t think this song stands out much.

10. First Love (Track 7)

Again, the lyrics in this are cute. The song describes Adele leaving her first love. She is very sensitive and sweet in this song, but the instrumental isn’t my favorite. It sounds like a nursery instrumental, and it’s pretty childish. It just doesn’t have that R&B quality that the rest of the album has.

9. Best For Last (Track 2)

This is a good song, and I like the sound of it, but once again, it’s not really a stand-out track.

8. Crazy For You (Track 5)

I really like Adele’s vocals in this, and I also really like the instrumental. It’s more low-key and relaxed, which I think is a nice choice. I like this song, but it’s not one of my favorites from the album.

7. Cold Shoulder (Track 4)

This song is really good, and it was a single, so Adele herself must have really liked it. I like the instrumental, vocals, and lyrics. I like it as part of the album, but it’s not really one that I would listen to outside of the album.

6. Daydreamer (Track 1)

The very sweet and somewhat stripped-down opener for the album is a great introduction to Adele’s vocal and musical style, as well as the album’s themes of romance and relationships. “You can find him sitting on your doorstep, waiting for a surprise. And he will feel like he’s been there for hours, and you can tell he’ll be there for life.”

5. Melt My Heart To Stone (Track 6)

I like this song because it the instrumental and lyrics go together really well, and they create a very fun but frustrated tone. When I was listening to this album, this was the first song (besides Chasing Pavements, which I had already heard) that I really liked.

4. Right As Rain (Track 8)

This marks the point on the list where all the songs from here on out are my favorites from the album, and they all have great replay-value. This song’s instrumental kind of sounds like music for the Wii Shop, but I don’t really mind it. This song is jazzier than the others on the album (at least in the chorus), and it’s sonically one of my favorites. The chorus is fantastic, and it really makes the song for me, even though the verses and pre-chorus are great too.

3. Make You Feel My Love (Track 9)

This Bob Dylan cover is truly amazing, and it’s probably the most famous/popular song off of the album. I really really love it, and I like how Adele made the song her own, rather than just doing an exact copy of Bob Dylan’s version. She put her own spin on it, and it really paid off, as she made a fantastic rendition of an already fantastic song. (PS: This song makes me sad whenever I hear it because of Glee.)

2. Chasing Pavements (Track 3)

This song is very underrated in my opinion, because, while it’s not unpopular or unknown, it really doesn’t get the praise it deserves. The instrumental, the vocals, the lyrics; it’s all wonderful, and it all comes together to create a brilliant song about being unsure whether or not to continue pursuing a relationship that doesn’t seem to be working, or just giving up. “If I tell the world, I’ll never say enough ’cause it was not said to you, and that’s exactly what I need to do. If I end up with you, should I give up or should I just keep chasing pavements, even if it leads nowhere? Or would it be a waste, even if I knew my place? Should I leave it there? Should I give up, or should I just keep chasing pavements, even if it leads nowhere?”

1. Hometown Glory (Track 12)

The album’s closer is truly 19‘s best, made even more impressive by the fact that this was the first song Adele ever wrote. Something about this song is just special, and it’s very timeless to me. The piano and the vocals are extremely moving, as well as the lyrics, which describe the love Adele feels for her town. It just hits me in the feelings, and it fills me with nostalgia. Truly an amazing song, and one of my absolute favorites from Adele. “I like it in the city when the air is so thick and opaque, I love to see everybody in short skirts, shorts, and shades. I like it in the city when two worlds collide, you get the people and the government, everybody taking different sides.”

Taylor Swift: 1989 (2014) Song Ranking

Rating: 9/10

1989 was a huge deal upon it’s release, as it was Taylor Swift’s official transition from country-pop to pure pop. While the segue was risky, it paid off, as 1989 was extremely successful in sales, and it went on to win Album of the Year at the Grammys. While full-on pop music isn’t generally my thing, I think Taylor did an incredible job with it here, and I can’t deny that 1989 is pop perfection. It absolutely reinvented the pop music scene at the time it came out, and it’s undoubtedly her most cohesive album to date. The story she tells is wrapped-up so tightly, and each song paints a very strong picture. Plus, it’s largely 80s inspired, and as a fan of 80s music, I like that.

In this post I’ll be ranking all of the tracks on Taylor Swift’s fifth studio album, 1989, from worst to best (excluding the deluxe tracks, because I don’t feel like it). Keep in mind that this is just my personal opinion, and you’re allowed to disagree with me. Now let’s get to it.

13. How You Get the Girl (Track 10)

This song is incredibly cheesy, sugary, and poppy, and pretty generic. It’s still a nice listen, but I think it should’ve been a deluxe track because it’s definitely not at the same level as the other songs on this album.

12. Welcome to New York (Track 1)

The opening track of the album is incredibly synthy (which I actually like), and does a great job of introducing the new sound of the album (and Taylor herself). I’m pretty sure I say that about Track 1 in every single album review I do, but whatever. It’s always true. The lyrics aren’t amazing (they’re extremely repetitive in the chorus), but they don’t really need to be. This song accomplishes everything it’s meant to accomplish, and it’s very catchy. In summation, a solid opening track, but I don’t find myself feeling compelled to listen to it outside of the album, so I’m gonna keep it down here.

11. Bad Blood (Track 8)

I feel like most people tend to either love or hate this song. I happen to be right in the middle. It is very catchy, and some of the vocal moments are impressive, but the lyrics aren’t all that clever (with the exception of “Band-aids don’t fix bullet-holes”, for some reason I really like that line). It is well-produced and all, but it’s just not my favorite.

10. All You Had to Do Was Stay (Track 5)

The lyrics in this song are pretty good (for an entirely pop-oriented song), but I don’t think the sound of this song matches the lyrics, and I don’t think it should’ve been Track 5. I wanted to put it higher, as some of the lyricism in the verses is pretty good, but the vocals aren’t all that interesting, and I just find it to be a bit boring. If this had sounded a little more emotional in terms of the production and vocal style, I would like it a lot more, but it’s still a pretty good song as it is. It’s grown on me.

9. I Know Places (Track 12)

I really like the chorus of this song, I think Taylor’s voice sounds really good. Unfortunately, I don’t love the sound of the verses. The topic of the song is interesting (trying to hide a relationship from the paparazzi), but it’s, for obvious reasons, not very relatable. That isn’t the song’s fault, but it does make me just a little less compelled to it. Still, this is a good song, and it definitely deserves it’s place on the standard edition of the album.

8. I Wish You Would (Track 7)

My favorite part of this song is the production, which is actually fantastic. The background music is pretty great, and it fits the sense of urgency that the song provides. The vocals, similarly to All You Had To Do Was Stay, aren’t all that impressive, and show basically no range, but I think it works better here. I think the storytelling in the lyrics is amazing, and this is just a very well-done song.

7. Clean (Track 13)

The production on this song is pretty unusual, but it suits the lyrics/vocals very well. This is a classic Taylor album-finale. A song about looking forward to whatever the future holds, and moving on from the issues that you’ve been struggling with (issues that the other songs on the album center around). The vocals are really pleasant, and the metaphor that the song is based around works very well. Overall, a great closer for the album, and a great song in general. “It was months and months of back and forth. You’re still all over me like a wine-stained dress I can’t wear anymore. Hung my head, as I lost the war, and the sky turned black like a perfect storm. Rain came pouring down, when I was drowning, that’s when I could finally breathe. And by morning, gone was any trace of you, I think I am finally clean.”

6. Shake It Off (Track 6)

Here’s where we get into my favorites from 1989. Let me tell you, when this song first came out and it was played on the radio 24/7, I was so in love with it. I thought it was the catchiest thing I had ever heard, and I remember when Blank Space came out I was really bitter because all of my friends liked it better than Shake It Off. And while I can acknowledge that this song isn’t very meaningful, and the lyricism isn’t as impressive as you would expect from Taylor, it is a very inspiring song, and I don’t think it needed to be super deep and complicated. Also, side note: Taylor Swift tends to follow-up Track 5 with a super upbeat, anthem-like Track 6, and this song is a perfect example of that.

5. This Love (Track 11)

“These hands had to let it go free, and this love came back to me.” I think this would have been the best choice for Track 5, as it’s very vulnerable and soft, and just a tad sad. The instrumental is very calming and peaceful, and I think that that was a good choice for the song. While the vocals aren’t particularly outstanding, they’re still nice, and I think that this song didn’t need any outstanding vocals. The lyrics are also great. This is a beautiful song, and I love it a lot. “When you’re young you just run, but you come back to what you need.”

4. Blank Space (Track 2)

I know that I just said that I was really bitter about Blank Space being more popular than Shake It Off, but finally, 5 years later, I kind of understand it. As fun as Shake It Off is, it isn’t as endurable as Blank Space. I feel like this is a song that you could listen to forever, and not get sick of it. Maybe that’s just me. Anyway, this song is an incredibly witty satire of Taylor’s image at the time, which was that of a boy-crazy serial dater. There are some great vocals, and the beat is irresistible. And as I said, the lyrics are super clever. From, “Darling I’m a nightmare dressed like a daydream” to “Got a long list of ex-lovers, they’ll tell you I’m insane. But I’ve got a blank space, baby, and I’ll write your name” I can see why this is by far the most popular song off of 1989.

3. Out of the Woods (Track 4)

“Looking at it now, it all seems so simple. We were lying on your couch, I remember. You took a polaroid of us, then discovered the rest of the world was black and white, but we were in screaming color.” I wasn’t originally a huge fan of this song when I first heard it on the radio (likely due to the chorus), but upon relistening to it, this song has really grown on me. The bridge is fantastic, and the lyrics in the verses are pretty great. Plus, this song has some impressive vocals from Taylor, as well excellent production. I never feel like skipping it when I listen to the album, and it’s a great addition to the record. I’ve also since realized that the repetitive chorus was purposeful. Taylor said that this song is about a relationship where the main feeling was anxiety, and that anxiety and urgency is portrayed very sharply through the chorus. Overall, this is a fantastic song, and I never get sick of listening to it.

2. Wildest Dreams (Track 9)

“He said let’s get out of this town, drive out of the city, away from the crowd. I thought heaven can’t help me now. Nothing lasts forever, but this is gonna take me down.”This song is so dreamy and ethereal, and the music video is absolutely gorgeous. The vocals and production go so well together, and they capture the sound of the song. Yet again, this song has an amazing bridge, and I don’t really know what else to say, so I’ll just tell you, listen to this song if you haven’t, because it’s amazing and one of my favorite Taylor songs of all time. “Say you’ll remember me, standing in a nice dress staring at the sunset, babe. Red lips and rosy cheeks, say you’ll see me again even if it’s just in your wildest dreams.”

1. Style (Track 3)

“You got that James Dean daydream look in your eye, and I got that red lip classic thing that you like. And when we go crashing down we come back every time ’cause we never go out of style.” I love this song so freaking much, dude. I really can’t praise it enough. From that opening guitar, to the synths, it’s all so 80s inspired and I just love it. Taylor’s vocals are awesome, and yet again, the bridge in this song is fantastic. The chorus is timeless (one could say it never goes out of style) and the verses really capture the feel of the song. I love the picture the lyrics paint, and I really don’t know how to put into words how much I love this song. I remember that I really liked it when it first came out, but relistening to it now, it’s definitely one of my top 5 Taylor songs ever. Just listen to it if you haven’t. It’s 1989‘s true masterpiece, and you’ll be blessed to hear it. Now, before I quote some iconic lyrics, I just want to point out that one thing that makes this song so great is that it doesn’t paint the relationship in a negative light. Rather, it highlights the sense of excitement and romance that made the relationship great in the first place. Another thing I’d like to point out is that, for me, 1989 is the only Taylor Swift album where the singles are truly the best songs of the album. I mean, maybe that applies to Fearless a little too, but not as much as it does for 1989. This is the only ranking I’ve done for her where the top songs are all singles (I mean, except for This Love, but whatever). “So it goes, he can’t keep his wild eyes on the road. Takes me home, lights are off, he’s taking off his coat.”

The Beatles: Please Please Me (1963) Song Ranking

Rating: 7.5/10

Over 50 years ago, The Beatles made history with their debut album, Please Please Me. While this album was by no means their masterpiece, it’s undeniable that their debut record was excellent, and a great start for the band.

In this post, I’ll be ranking all of the songs on The Beatles’ debut album, Please Please Me, from worst to best, based on my personal enjoyment and appreciation for them. I know that a lot of the songs are covers, but for the sake of not being redundant (and because I’m too lazy to look up which ones are covers), I’m not going to bring it up a lot. (And just saying, this album was so easy to listen to, because, in true early-60s form, all of the songs are 2.5 minutes.)

14. Chains (Track 4)

Okay, let me start by saying that I like all the songs on this album. In fact, even this one is very fun for me to listen to. I also feel bad ranking it as the worst because it was co-written by Carole King, and I really like her as an artist. The harmonies are beautiful, but overall this song is just a bit too campy for me.

13. Boys (Track 5)

Again, it makes me sad to rank this so low, because Ringo really doesn’t get enough love. His vocals here are great and very fitting for the song, but unfortunately it’s just not the type of song that I really love. It’s a little generic and simple (I still like it though).

12. There’s a Place (Track 13)

The penultimate track, while still good, is somewhat forgettable to me. I will say that the harmonies are absolutely lovely, as they always are when it comes to The Beatles.

11. Baby It’s You (Track 10)

I happen to like the sha-la-la-la-las. And while this song isn’t super memorable when examining the album as a whole, it’s a rather nice song on it’s own.

10. P.S. I Love You (Track 9)

This song is very sweet and simple, but it’s not really a stand-out track of the album.

9. Love Me Do (Track 8)

I know, I know. This was The Beatles’ first hit, so it’s a pretty big milestone in their career, but it’s just not my favorite. That’s not to say I don’t like it, though, because I do, but it doesn’t have much replay-value for me. However, it is very fun and upbeat, which I appreciate.

8. Please Please Me (Track 7)

Okay, it’s not intentional that this ranking has been going in a sequential order for the past few songs. The titular track of the album does a good job of representing the overall sound, and I really like the vocals and music, but it’s not my absolute favorite to listen to.

7. A Taste of Honey (Track 12)

The main reason I like this song is because it’s pretty unique. No other song on the album really sounds like it, and while I think that could potentially be a bad thing, I think it goes over smoothly in this song. I also like some of the melodic moments in the song, so that helps.

6. Misery (Track 2)

I don’t think this song is one of the more popular ones off the album, but I happen to really enjoy it. I like the backing instrumental a lot, and I really like the melodies and vocals. I’m also a fan of the crooning towards the end, I think it adds a lot to the song, however brief it may occur for.

5. Ask Me Why (Track 6)

This song marks the point on this list where all the songs from here on out are my favorites from the album. I think this song is absolutely delightful, from the harmonies to the melody, not to mention the instrumental. The lyrics are also very sweet and vulnerable, which I really love. Overall, a fantastic song. “Now you’re mine, my happiness still makes me cry. And in time, you’ll understand the reason why, if I cry, it’s not because I’m sad, but you’re the only love that I’ve ever had. I can’t believe it’s happened to me. I can’t conceive of any more misery.”

4. Do You Want to Know a Secret (Track 11)

The first time I listened to this song, I found it off-putting because the intro kind of weirded me out. However, as soon as the guitar chords kicked in and the first verse started, I was hooked. It’s not really a surprise that I liked this song, as I tend to really enjoy the songs where George is the lead vocalist. His voice is awesome in this track, and it adds a very nice flirtatiousness and passion to it. The way he sings the lyric just before the chorus (“the words you long to heeeeeeaaaar”), and the chorus itself, is great.

3. Twist and Shout (Track 14)

Yet another great song in terms of vocals, albeit in a very different fashion. John’s vocals are so raw and rough, but they’re still so fun to listen to. They really make the song. This track is probably the most famous off of the album (perhaps because of Ferris Bueller?) and it’s a great representation of the quality of the album. The first time I heard this song was in kindergarten, where my teacher played it for us as our main freeze-dance song. Because of that, this song will always have nostalgic value for me. This song is so good that even kindergartners can’t help but jam out to it.

2. Anna (Go to Him) (Track 3)

Okay, I’ll admit that I’m a bit biased towards this track because my name is Anna, but whatever. It’s still an awesome song. This is one of the more emotionally vulnerable songs on the album, and I think it’s done very well. It manages to convey the pain of the situation, while not being too melodramatic about it. The song describes a girl named Anna leaving John for another man who she thinks loves her more. John, while devastated by this, decides to let her. I think his vocals are really impressive, (especially considering that he was apparently sick on the day of recording) and they really make the song for me. My favorite part is when he sings “All of my life, I’ve been searching for a girl to love me like I love you. Oh now, but every girl I’ve ever had, breaks my heart and leaves me sad.” Since this song was a cover, it’s unlikely that he’s been in the situation that it depicts, but he sings it as if he has. This song is on my Beatles playlist, if that provides any sort of image of how much I like it.

1. I Saw Her Standing There (Track 1)

From what I’ve read, this is actually the most popular song off the album (in terms of how well-loved it is by the fans, not by how well-known it is) which, while initially surprising to me, actually makes a lot of sense. The opening “1, 2, 3, 4” is an iconic opening line to the opening song of the opening album for the most influential band in history. This song is so catchy and fun to listen/dance/sing to, and it was on my playlist for a while before I fully listened to the album. Paul’s vocals are, as usual, fantastic, and you can really hear the fun they had while recording this song. The guitar, bass, drums, and handclaps are also very impressive, and the way they come together to make this epic song is truly great.

Christmas Time Playlist

Ah, what a wonderful time! The lights, the music, the wreaths on telephone poles! Christmas is truly the best, and the music is a staple of the season. Here is a compilation of some of the best songs to listen to during the Christmas season. (It was really hard to narrow this down, so I think I’ll make this a yearly installment.)

1. Rockin’ Around the Christmas Tree – Brenda Lee

“Rockin’ around the Christmas tree at the Christmas party-hop. Mistletoe hung where you can see, every couple tries to stop. Rockin’ around the Christmas tree, let the Christmas spirit ring. Later we’ll have some pumpkin pie and we’ll do some caroling. You will get a sentimental feeling when you hear voices singing ‘let’s be jolly’. Deck the halls with boughs of holly!”

2. It’s Beginning to Look a Lot Like Christmas – Perry Como with The Fontane Sisters

“It’s beginning to look a lot like Christmas everywhere you go. Now there’s a tree in the Grand Hotel, one in the park as well, the sturdy kind that doesn’t mind the snow.”

3. (There’s No Place Like) Home for the Holidays – Perry Como

“Oh, there’s no place like home for the holidays, ’cause no matter how far away you roam, when you pine for the sunshine of a friendly gaze, for the holidays you can’t beat home sweet home.”

4. Rudolph the Red-Nosed Reindeer – Gene Autry

“Then one foggy Christmas Eve, Santa came to say, ‘Rudolph with your nose so bright, won’t you guide my sleigh tonight?’ Then all the reindeer loved him, as they shouted with glee, ‘Rudolph the red-nosed reindeer, you’ll go down in history!'”

(PS: This song is even better with the little add-ons between the lyrics)

5. Jingle Bell Rock – Bobby Helms

Jingle Bell Rock is a Jingle Bell Bop. That’s all. (It’s hard for me to listen to this song without imagining that scene from Mean Girls). “What a bright time, it’s the right time, to rock the night away. Jingle bell time is a swell time to go riding in a one horse sleigh!”

6. Silent Night – Hillsong

While it’s hard to find a recording of this song that really does it justice (as it’s usually a church hymn), I’ll put this one just so I can get this song on the list. This is a song that shows the true meaning of Christmas, and why we celebrate it at all. “Silent night, holy night, Son of God, love’s pure light.”

7. Feliz Navidad – Jose Feliciano

“I want to wish you a merry Christmas from the bottom of my heart.”

8. It’s the Most Wonderful Time of the Year – Andy Williams

“It’s the most wonderful time of the year. With the kids jingle bell-ing and everyone telling you ‘be a good cheer’, it’s the most wonderful time of the year.”

9. Sleigh Ride – The Ronettes

“Our cheeks are nice and rosy and comfy, cozy are we. We’re snuggled up together like two birds of a feather would be. Let’s take the road before us and sing a chorus or two. Come on, it’s lovely weather for a sleigh ride together with you.”

10. White Christmas – Bing Crosby

The quintessential Christmas song.

“I’m dreaming of a white Christmas, just like the ones I used to know. Where the treetops glisten, and children listen to hear sleigh bells in the snow.”

Bonus: Three Christmas Songs That Revolve Around Pining For Someone! (Because Why Not)

Blue Christmas – Elvis Presley

“And when those blue snowflakes start falling, that’s when those blue memories start calling. You’ll be doing alright with your Christmas of white, but I’ll have a blue, blue, blue, blue Christmas.”

All I Want For Christmas Is You – Mariah Carey

“I don’t want a lot for Christmas, there is just one thing I need. And I don’t care about the presents underneath the Christmas tree. I just want you for my own, more than you could ever know. Make my wish come true… all I want for Christmas is you.”

Last Christmas – Wham!

“Last Christmas I gave you my heart, but the very next day you gave it away. This year, to save me from tears, I’ll give it to someone special.)