Rating: 10/10
Red by Taylor Swift is one of my favorite albums of all time (if not my definitive favorite), and I think definitely one of the greatest albums of the 2010s decade. This album was nominated for Best Album at the Grammys and didn’t get it, which angers me, but whatever. The lyrical mastery she shows throughout this album and the themes of heartbreak and regret and passion that she writes about make this album so intense and wonderful and exciting to listen to.
In this post I will rank all of the songs on this record from worst to best. And just know that while, yes, some of the songs on here aren’t as strong as the others, I think they’re all fantastic in their own way, and I literally love all of them. Let’s commence the ranking now.
16. Stay Stay Stay (Track 9)
This song is super cute and fun, and very catchy (and pretty popular, too) so I feel sad about ranking it as the worst, but if I’m being honest, it definitely is the worst on the album. The background instrumental sounds like a royalty-free YouTube track, and the lyrics aren’t all that impressive. Like I said though, it’s a nice song, and it makes the album as a whole feel slightly less depressing.
15. Starlight (Track 15)
This is a really catchy song, and the story that it describes is really fun. It’s very poppy and great for dancing. However, out of all the songs on this album, it’s not one of my favorites. I do like it, though and it’s really fun to listen and dance to. It just has this upbeat and uplifting feeling, and I love how it describes a romance from the ’40s.
14. The Lucky One (Track 13)
A documentation of the experience of becoming famous, The Lucky One is a unique song in Taylor’s repertoire, as it explores themes that most of her fans won’t be able to relate to. It’s an interesting song, and it is good, but it’s just not my favorite from the album. I really enjoy the guitar and drum beat in this song, and Taylor’s vocals are really nice and suit the song super well. I would never skip this when listening to Red as a whole (I would never skip any songs, but whatever) and I always enjoy singing along to it.
13. 22 (Track 6)
Taylor Swift has always had the ability to churn out pop hits like it’s nothing, and 22 is a perfect example of that. While it’s not objectively better than some of the songs I have ranked below it, I have it ranked higher partially for how iconic it is, and also because it touches on a theme that I really like in Taylor’s songs: the freedom and excitement of being young. It’s a fun song for a girls night out, and the anthem for 22-year-olds everywhere.
12. I Almost Do (Track 7)
I think this is a beautiful song, and I really love the backing instrumental, as well as the lyrics. It deals with wanting with every fiber of your being to reach out to someone, but something stops you, and you end up falling hopelessly out of touch. It’s a very relatable song, and I really do like it a lot, but it’s not as memorable as a lot of the other songs on this record. Plus, it’s a little more country-influenced than I think it needed to be. “In my dreams you’re touching my face and asking me if I want to try again with you, and I almost do.”
11. Holy Ground (Track 11)
“I was reminiscing just the other day, while having coffee all alone and, Lord, it took me away. Back to a first-glance feeling on New York time, back when you fit my poems like a perfect rhyme.” This is a really nice song that describes looking back on a relationship fondly, choosing to feel happy about the good times rather than sad about the hard ones. It manages to fit relatively well into Red’s tone while still being far more upbeat than most songs on the album. I love how it describes the relationship in a really positive and mature way. This song also just has a nice feel to it, and it’s pretty infectious.
10. Red (Track 2)
The titular track that lays out the themes of the album: heartbreak, regret, recklessness, and passion. It’s a classic song from Taylor’s repertoire, and a fan-favorite, and I understand why. It’s irresistibly catchy, and while the colors-to-emotions concept isn’t new, Taylor manages to make it feel fresh, original, and natural. “Remembering him comes in flashbacks and echoes, tell myself it’s time now, gotta let go. But moving on from him is impossible when I still see it all in my head, in burning red.”
9. We Are Never Ever Getting Back Together (Track 8)
This song, like I said for 22, is a perfect example of Taylor’s effortless pop hits. It’s super catchy, and I’m really fond of the specificity she uses when describing what occurred within the relationship before the many breakups. I also love Taylor’s decisiveness and self-assurance within this song. I would have it ranked higher up, but because it’s so light I have to rank it here.
8. Begin Again (Track 16)
A very withdrawn and gentle closer for the album, I think it does a great job of showing how even after enduring terrible heartbreak and going through painful relationships, love is real and one day you’ll find it, and it won’t be painful or filled with heartbreak. This song goes back to Taylor’s country sound, and I think that was a good choice. “You throw your head back laughing like a little kid. I think it’s strange that you think I’m funny, ’cause he never did. I’ve been spending the last eight months thinking all love ever does is break, and burn, and end. But on a Wednesday, in a cafe, I watched it begin again.” A great closing track, and a very uplifting reminder for everyone who has lost faith in love that it’s out there, and you can find it in the most unsuspecting of places.
7. State of Grace (Track 1)
This is a spectacular opener for the album, and similarly to the titular track, is a great representation of the album’s themes (although I’d say it shows them in a subtler way). This is a total stadium-song in all of it’s booming, drum-heavy glory (and I mean that in a good way). It’s a song that, right off the bat, shows you that Red isn’t going to be like Taylor’s previous albums. It’s going to be rougher and more intense, and State of Grace does a great job of introducing that sound. Plus, Taylor herself said that the line that most encapsulates the theme of the album comes from this song: “Love is a ruthless game unless you play it good and right.”
6. The Last Time (Track 10)
This, like Sad Beautiful Tragic, is one of the more melancholy and somber songs on the album. It’s also a duet between Taylor and Gary Lightbody, and I really like how the singers bounce off of each other throughout the song. The song describes how two people are getting fed up with the reoccurring issues within a relationship, and are giving each other one last chance before giving up completely. It’s rather sad, but I think it’s very touching and honest. I will say that the total mood-switch from Stay Stay Stay to this is a little jarring. I like the singers’ voices together, and I think it’s a great addition to the album.
5. Treacherous (Track 3)
“I can’t decide if it’s a choice, getting swept away. I hear the sound of my own voice, asking you to stay.” This song plays on the theme of recklessness that I mentioned before, comparing a fast-moving relationship to a treacherous slope. This was a track that, upon my first listen, didn’t really stick out to me, but upon further listening, is actually quite impressive. The song is a bit more grown-up and serious than her previous work, but she handles it very delicately and gracefully. The storytelling in this song is amazing, but I would expect nothing less from Taylor. I also really love her vocals, and this song is super fun to sing. This is just such a good song that I pretty much never get sick of, and I think it’s one of the best angles she’s taken to describe a relationship. “Two headlights shine through the sleepless night and I will get you, I’ll get you alone. Your name has echoed through my mind and I just think you should, think you should know that nothing safe is worth the drive…”
4. Sad Beautiful Tragic (Track 12)
“Long handwritten note deep in your pocket. Words, how little they mean when you’re a little too late. I stood by the tracks, your face in a locket. Good girls, hopeful they’ll be, and long they will wait.” I’d say this is the most sonically beautiful song on the album, which is saying a lot because all of the songs on this album are sonically fantastic. It’s one of the more melancholy tracks on the record, but I really love it. Taylor’s voice is hauntingly gorgeous, the background instrumental is lovely, and the lyrics are very atmospheric and descriptive. This song is definitely folk-inspired, and I think Taylor pulls it off really well. She keeps you captivated from the moment she starts singing until the song ends. This is actually one of my all-time favorite songs from Taylor. “In dreams I meet you in warm conversation. We both wake in lonely beds in different cities. And time is taking it’s sweet time erasing you. And you’ve got your demons and darling they all look like me.”
3. Everything Has Changed (Track 14)
A very sweet and nostalgic duet between Taylor and Ed Sheeran, I absolutely adore this song. It makes me feel warm and cozy, and it really expands on the magical jitters that come with meeting someone new who makes your heart flutter. One of my favorite songs ever released by Taylor, I think it’s very underrated, and I just really love it. “And all I’ve seen since 18 hours ago, is green eyes, and freckles, and your smile in the back of my mind making me feel like I just wanna know you better, know you better, know you better now.”
2. I Knew You Were Trouble (Track 4)
This is one of Taylor’s most iconic songs, and a major step outside of her usual sound. For this track, Taylor moved away from her normal country-pop sound and moved towards a more dubstep-central sound. The song laments Taylor’s decision to pursue a boy who was obviously out-of-control and troublesome, despite her knowing that he was this way from the beginning. I think it’s a story that we can all relate to to some degree; falling for someone who you knew it would never work out with/wasn’t the best person. I think Taylor’s vocals really shine here, and they really complement the backing instrumental. This song also shows some really piercing lyricism from Taylor. “No apologies, he’ll never see you cry. Pretend he doesn’t know that he’s the reason why you’re drowning, your drowning, your drowning. And I heard you moved on from whispers on the street, a new notch in your belt is all I’ll ever be, and now I see, now I see, now I see. He was long gone when he met me, and I realize the joke is on me.”
1. All Too Well (Track 5)
“And I know it’s long gone, and there was nothing else I could do. And I forget about you long enough to forget why I needed to. ‘Cause there we are again, in the middle of the night. We’re dancing ’round the kitchen in the refrigerator light. Down the stairs, I was there, I remember it all too well.” I literally don’t know what I could say that would do this song justice. This song is so perfect and it means so much to me – I can’t even articulate it. I’ll try, though. The lyrics in this song are so poignant and moving, and they utilize my favorite form of storytelling in a song: the collage of memories (I really doubt that’s what it’s actually called, but I’ll elaborate on what I’m referring to). In this song, Taylor looks back on a relationship that has recently ended for reasons she barely even understands, and she remembers every single part of it perfectly. She describes walking through the door of his sister’s house and accidentally leaving her scarf there, and driving down an upstate road in autumn, and hearing stories about his childhood from his mom, and dancing in the light of the refrigerator in the middle of the night. All of the memories that seem insignificant while the relationship is still happening, but now that it’s over, she remembers so clearly and misses so dearly. The guitar in this song is simple but very emotionally evocative, and the way the song builds up as Taylor starts to describe the downfall of the relationship is truly incredible to listen to. You can just hear the emotion she’s feeling as she sings the lyrics. And I can never listen to this song and not feel a sense of emotional loss when the crescendo at the bridge ends and the stripped back guitar returns for the last verse and chorus, with Taylor’s mournful lyrics accompanied by a jaded and bitter and heartbroken vocal delivery. Red is Taylor’s masterpiece album, and All Too Well is her magnum opus. Also, I apologize for all the lyrics I’ve quoted, but as I said, this song is a lyrical work of art and I honestly had a hard time not quoting the entire song. “You call me up again just to break me like a promise, so casually cruel in the name of being honest. I’m a crumpled up piece of paper lying here ’cause I remember it all, all, all too well. Time won’t fly, it’s like I’m paralyzed by it. I’d like to be my old self again, but I’m still trying to find it. After plaid shirt days and nights when you made me your own, now you mail back my things and I walk home alone. But you keep my old scarf from that very first week, ’cause it reminds you of innocence and it smells like me. You can’t get rid of it ’cause you remember it all too well.”